Amazon Brings Stability Back to Upfront Week After 2025 Shake-Up
The company switched upfront presentation days in 2025, leading to some reshuffling. https://www.adweek.com/convergent-tv/amazon-brings-stability-back-to-upfront-week-after-2025-shake-up/
Teads Names Dani Cushion CMO as It Looks to Reset Marketing in Turnaround Effort
Cushion aims to spotlight the company’s AI and CTV developments in light of a restructuring and merger turbulence. https://www.adweek.com/media/teads-outbrain-dani-cushion-cmo/
EXCLUSIVE: Reddit Takes on Google and Meta with New AI Media Buying Tool
Unveiled at CES, Max Campaign aims to win performance ad dollars while offering brands more transparency. https://www.adweek.com/media/reddit-max-campaign-media-buying-ces/
Here’s What Amazon Is Telling Advertisers Behind Closed Doors
Ahead of CES, Amazon vp of global ad sales Alan Moss gives ADWEEK a peek inside client meetings. https://www.adweek.com/convergent-tv/amazon-ads-2026-ai-live-events-full-funnel-campaigns/
Omnicom Preps for a High Stakes CES
With its $13.5 billion acquisition of Interpublic Group now closed, CES 2026 — taking place Jan. 6–9 in Las Vegas — is the first opportunity for Omnicom Group to show the market what it’s now capable of as a combined company.
The stakes are especially high this year, said George Manas, Omnicom’s chief growth and solutions officer.
“It’s an opportunity to share the power of the new Omnicom with a much broader audience of our clients and other market participants,” he said.
It’s also the first opportunity for Omnicom to show up as a unified brand, instead of its agencies operating separately as they have in past years.
These Trends Will Define the TV Landscape in 2026, According to Experts
Well, so much for that.
In 2026, ad industry experts say the TV market will be more about execution, with advertising becoming more accountable and outcomes-driven as the industry adopts targeted, AI-powered, cross-platform buying and selling.
It may seem like a lot of jargon, but the goal is simple: make TV easier to navigate, buy, and sell.
To wrap up 2025, ADWEEK spoke with high-profile ad sales chiefs and senior buy-side and sell-side media executives to unpack the trends that will define the new year in TV.
While the CMO door keeps revolving, 2026 will once again see marketing bosses challenged by geopolitical upheaval and squeezed consumer spend. There will also be opportunities, including the FIFA 26 World Cup and a buzzy M&A market. AI advancement will be a double-edged sword, making it easier for brands to connect with audiences while also raising questions about the human cost of the tech.
For marketers at some of the world’s most talked-about brands, the next 12 months will test how well they can adapt, innovate, and lead.
With that in mind, ADWEEK is spotlighting 10 CMOs worth watching in 2026.
Some are setting the tone for challenger brands. Others are steering their teams into unfamiliar territory. Several are tasked with modernizing legacy businesses and a few are defining what leadership looks like in new roles.
Scroll down to see who’s on the list for 2026.
Ahmed Iqbal, CMO, Cadillac F1
As Cadillac Formula 1’s first-ever CMO, Iqbal arrives at a moment of peak momentum for the sport, with global interest surging thanks to a nail-biting 2025 Grand Prix and Netflix’s fly-on-the-wall documentary series, Drive to Survive.
The CMO joins on the back of McLaren’s dominant run, raising both the stakes and the expectations for the challenger.
In 2026, Iqbal’s task will be to define what Cadillac stands for in a crowded, fast-moving F1 landscape. He’ll need to translate the brand’s American heritage into global relevance while building credibility with fans who are already deeply invested in the sport.
Her arrival marks a moment of transition for a brand long associated with consistency, cultural credibility, and the enduring power of its “Priceless” platform.
In 2026, Kramer’s challenge will be evolving Rajamannar’s legacy, and keeping Mastercard culturally relevant and innovative while protecting its brand equity.
Per figures from Interbrand, Accenture’s brand value almost doubled from $12 billion to $20.9 billion over the near-decade Kramer was CMCO there. Prior to that, she held senior roles at BBDO and DDB, where she led campaigns for brands such as AT&T and ExxonMobil.
Jon Halvorson, Chief Digital and Marketing Officer, Kenvue
In October, Tylenol maker Kenvue gave Jon Halvorson the call. The business was reeling after a September press conference in which health secretary Robert F. Kennedy, Jr., buttressed by President Trump, implied a link between autism and acetaminophen, the active ingredient in Tylenol.
Despite the medical establishment long discrediting such links, on the same day, Kenvue reported Q3 sales down 3.5%, and a few weeks later, Kimberly-Clark announced it had acquired Kenvue for nearly $49 billion.
Kenvue is betting that with experience spanning Starcom MediaVest, GM, and Mondelez—where he led AI adoption—Halvorson brings the marketing and messaging chops needed to reassure consumers.
As Trump and RFK continue to make major changes to pharma advertising, and a lawsuit from Texas Attorney General Ken Paxton looms, Halvorson has a challenging 2026 ahead.
Kate Rouch, CMO, OpenAI
OpenAI’s new CMO Kate Rouch.
This is Rouch’s second year on ADWEEK’s CMOs to watch list. In 2025, Rouch’s impact saw the AI challenger dive into mass marketing for ChatGPT and its other products. The company advertised in the Super Bowl earlier this year with a 60-second spot from Droga5 that recounted the history of human innovation, and targeted college students with a smaller campaign during final exam season.
In 2026, the former Coinbase CMO will need to build on the momentum around ChatGPT’s first big emotional ad campaign, which demonstrates how the AI chatbot is useful in relatable, daily moments.
In the coming year, Rouch will also help the business market blockbuster partnerships with Disney and Mattel, and continue to meet the challenge of building brand trust in a world still cautious of AI.
Marian Lee, CMO, Netflix
Netflix’s Marian Lee is also marking her second year on this list.
It also opened the doors to two Netflix Houses in Dallas and Philadelphia, where fans can explore, taste, play, and shop their favorite shows, from Bridgerton to Money Heist.
Lee will play a key role in 2026 as Netflix cozies up to brands, including AB InBev, for partnerships linked to its growing ad tier, which now counts almost 100 million subscribers. She’ll also continue to help the company expand its audience beyond movies and series into gaming, live sports, and more.
Looming largest on the horizon is Netflix’s push to close its acquisition of Warner Bros Discovery. Slated for late 2026, the move could bring iconic film franchises, including Harry Potter, and vast studio capabilities into the streamer’s fold. If approved, it will reshape not only Netflix’s content arsenal but how Lee positions the streamer in culture and Hollywood.
In 2025, that strategy gained momentum. Combined, Budweiser, Corona, Stella Artois, and Michelob Ultra now represent around 57% of the brewer’s revenue and account for 8 of the top 10 most valuable beer brands in the world, per Kantar. Megabrand revenues were up 3% in Q3, driving AB InBev’s overall 0.9% growth.
In 2026, some of the brewer’s brands are poised to go big for Super Bowl 60 (though it has not officially revealed its plans yet). The company is also a FIFA 26 World Cup sponsor and the official beer partner of the Winter Olympics, the VMAs, and the Grammys.
The coming year will also see AB InBev integrate beers such as Bud Light and Stella into Netflix shows like The Gentlemen. This collaboration will extend off-screen to packs, too, as part of a historic multi-year partnership between the two brands designed to reach audiences increasingly resistant to traditional ads.
The next 12 months are shaping up to be spectacularly busy for the business, and Marcondes will be tasked with ensuring AB InBev’s master brands are top of mind in culture and on shelves around the world.
Manu Orssaud, CMO, Duolingo
When Duolingo declared itself “AI-first” in April, the move signaled a structural shift in how the company approaches product, content, and marketing. It also invited scrutiny.
A subsequent memo from CEO Luis von Ahn linking hiring to AI capacity sparked backlash and raised questions about humans’ role in the brand’s future.
In September, Duolingo confirmed its AI investments hadn’t led to any full-time employees being laid off. Instead, AI is boosting human productivity, von Ahn said at Fast Company’s Innovation Festival.
Megan Imbres is Peloton’s chief marketing officer (CMO).
In June 2025, Megan Imbres became Peloton’s fourth CMO since 2020.
The former Apple, Amazon, and Netflix exec replaced Lauren Weinberg, who left in April after the marketing and comms functions were split.
Peloton has had a challenging few years, but in Q3 it surprised Wall Street by posting a profit despite falling subscriber numbers and a 37% cut to its marketing budget.
We’ve not seen a tentpole creative campaign from Imbres yet, but 2026 might be the year, following the brand’s AI-powered September product relaunch, which embedded the tech into its fitness products to customize individual workout programs.
Tamika Young, CMCO, Hinge
In December, Hinge named a new CMCO in Tamika Young, who joined the business as svp, global communications in 2023 from Netflix. Hinge’s former CMO, Jackie Jantos, was promoted to CEO after founder Justin McLeod left to launch Overtone, an AI-powered dating app.
As she adds marketing to her communications responsibility, Young will be tasked with building on the success of Jantos’ most high-profile campaigns, including Hinge’s global trademarked “Designed to Be Deleted” positioning, which transformed it from a swipe-culture novelty into one defined by more meaningful connections.
She’ll also be working alongside a CEO who understands and champions the value of marketing.
In 2026, the $29 billion company will split into two public entities: Global Taste Elevation, which will house sauces and spreads, and North American Grocery Co., encompassing cupboard staples like Oscar Mayer and Lunchables.
Post-split, Kaplan’s future title and portfolio remain unannounced. However, this year he’ll be tasked with defining how Kraft Heinz’s new marketing playbook translates across the two new companies before the reorganization is complete.
Experts Say TV Advertising Will Get an AI-Driven Reset in 2026
Is the ad industry headed for ChatGP-TV?
AI was all the rage in presentations at 2025’s TV upfront week, and throughout the year, publishers have worked to deliver on lofty promises—bringing more targeted virtual product placement, AI-generated creative to get advertisers closer to content, and contextual targeting to reach consumers in real-time.
So where does the industry go from here?
As ADWEEK’s end-of-year wrap-up continues, we spoke with ad sales chiefs and senior buy-side and sell-side media executives to hear how they think AI will change the TV and media landscape in 2026.
Here’s what they had to say:
How AI will affect TV advertising in 2026
Jay Askinasi, chief revenue officer, Paramount Skydance: AI will be the engine behind smarter monetization—especially unlocking commerce-driven capabilities for small and medium-sized marketers.
5 M&A Trends to Expect in 2026, From Multibillion-Dollar AI Deals to Further Holdco Consolidation
After a somewhat sleepy start, 2025 was itself a landmark year, one defined by mammoth deals including Omnicom’s $13.5 billion takeover of former rival Interpublic Group, Paramount’s $8 billion merger with Skydance, and the ongoing contest for Warner Bros. Discovery’s future—alongside hundreds of smaller but influential deals that reshuffled the market.
In total, M&A volumes across sectors reached $4.3 trillion this year, up 39% from 2024, per data from JP Morgan. In the adtech, martech, and digital content spaces, activity was up 13% over last year, according to research from Pitchbook and Luma Partners.
How A24 and Timothée Chalamet Dreamed Big for the Marty Supreme Marketing Campaign
A24’s Marty Supreme is living up to its namesake, proving to be one of the most eagerly anticipated films of the year.
According to Deadline, the film has already achieved the fastest-selling presale for an A24 movie and the biggest per-theater average for a limited release in 2025, grossing $875,000 from 6 theaters in one weekend.
Loosely based on real-life table tennis player Marty Reisman, Marty Supreme, which will be released in the U.S. on Christmas Day, follows a fictional ping-pong prodigy’s rise through the underground table tennis scene in 1950s New York City. However, through the film’s innovative marketing, Marty Supreme has become less of a character in a movie and more of a star in reality.