Advertisers Can Now See When Retail Media Ads on Meta Drive Sales

A new deal between LiveRamp and Meta is aimed at showing retail marketers if Meta ads drove sales.

The tie-up connects a retailer’s data to Meta’s user base through LiveRamp Clean Room, letting advertisers target specific groups of people on Facebook and Instagram without breaching consumer privacy. Retailers then use sales data to track if those targeted ads led someone to buy something after seeing an ad.

The deal signals greater intent from Meta to work alongside retail media networks, and scoop up a portion of retail media’s $62 billion ad market—something that ADWEEK first reported on in April.

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0;margin-left:1.2em} .zephr-form-divider-container.svelte-svq2r5{display:flex;align-items:center;justify-content:center;margin:1.5em 0}.zephr-form-divider-line.svelte-svq2r5{height:1px;width:50%;margin:0 5px;background-color:var(--zephr-color-text-tinted)}.zephr-form-divider-line-complete.svelte-svq2r5{height:1px;width:100%;margin:0 5px;background-color:var(--zephr-color-text-tinted)}.zephr-form-divider-text.svelte-svq2r5{margin:0 12px;color:var(--zephr-color-text-main);font-size:var(--zf-info-fontSize);white-space:nowrap} .zephr-form-login-link.svelte-1bpa3mq.svelte-1bpa3mq{margin-top:1em;margin-bottom:1em;text-align:center}.zephr-form-login-link.svelte-1bpa3mq>a.svelte-1bpa3mq{color:var(--zf-link-color);margin-left:0.25em} .zephr-form-account-code-container.svelte-ctt9he{margin-top:1.5em} .zephr-form-invitation-container.svelte-yy7ok3{border:1px solid;margin:1.5em 0;padding:20px;color:var(--zephr-color-text-main)}.zephr-form-invitation-title.svelte-yy7ok3{margin-bottom:20px;font-weight:bold;align-items:center}.zephr-form-invitation-input-container.svelte-yy7ok3{flex-grow:1}.zephr-form-invitation-success-message.svelte-yy7ok3{margin-top:0.5em} .subscription-option-product-label{margin-bottom:5px;margin-top:0}.subscription-option-wrapper.svelte-1ecrab7{display:flex;flex:1 0 28%;width:100%;max-width:400px}.subscription-option-wrapper.svelte-1ecrab7:only-child{max-width:325px}.subscription-option-box{display:flex;flex-direction:column;flex:1 1 0;width:0}.info-row.svelte-1ecrab7{margin-top:7px;margin-bottom:7px}.info-label.svelte-1ecrab7{display:inline;margin-right:10px}.info.svelte-1ecrab7{display:inline}hr.svelte-1ecrab7{border-width:1px 0px 0px;margin:5px 5px;border-color:var(--zephr-color-background-tinted)}.inner-box.svelte-1ecrab7{border:var(--zf-payment-options-border);border-radius:var(--zf-payment-options-borderRadius);background-color:var(--zf-payment-options-bgColor);height:100%;display:flex;flex-direction:column;flex-grow:1;padding:20px 20px;margin:0 10px;overflow:hidden}.change-disabled-label.svelte-1ecrab7{margin-top:15px} .subscription-options-container.svelte-1nzbr4y{flex-wrap:wrap;font-size:var(--zf-payment-options-fontSize);width:100%;color:var(--zf-payment-options-color);line-height:18px;padding:31px 0 20px;display:grid;justify-content:space-evenly;justify-items:center;grid-template-columns:repeat(auto-fit, minmax(300px, 1fr));gap:13px}@media(max-width: 340px){.subscription-options-container.svelte-1nzbr4y{grid-template-columns:repeat(auto-fit, minmax(280px, 1fr))}} .subscription-list-item.svelte-1wg9q7{color:var(--zephr-color-text-main)}hr.svelte-1wg9q7{border-width:1px 0px 0px;margin:20px 0px;border-color:var(--zephr-color-background-tinted)}.inactive.svelte-1wg9q7{text-decoration:line-through}h3.svelte-1wg9q7{margin:0 0 20px}.inner-box.svelte-1wg9q7{display:flex;flex-direction:column;flex-grow:1;padding:30px 20px;margin:0 10px;overflow:hidden;min-width:300px} .zephr-form-tablink.svelte-ky9lgg{display:flex;align-items:center;cursor:pointer;justify-content:space-between;text-decoration:none;color:var(--zephr-color-text-main);font-weight:590;padding:var(--zf-list-subscriptions-section-padding);border-bottom:1px solid var(--zephr-color-background-tinted)}.zephr-form-tablink.svelte-ky9lgg:hover{text-decoration:underline}.zephr-form-tablink.svelte-ky9lgg:last-child{border-bottom:none } .zephr-subscription-list-box-item.svelte-h57nmp.svelte-h57nmp{color:var(--zephr-color-text-main);max-width:var(--zf-list-subscriptions-container-maxWidth);border-radius:var(--zf-list-subscriptions-container-borderRadius);border:var(--zf-list-subscriptions-container-border);padding:var(--zf-list-subscriptions-container-padding)}.zephr-inner-box.svelte-h57nmp.svelte-h57nmp{display:flex;flex-direction:column;flex-grow:1}.zephr-box-item-information.svelte-h57nmp.svelte-h57nmp{font-size:var(--zf-list-subscriptions-info-fontSize);color:var(--zephr-color-text-tinted);margin-top:8px}.zephr-section.svelte-h57nmp.svelte-h57nmp{padding:var(--zf-list-subscriptions-section-padding);border-bottom:1px solid var(--zephr-color-background-tinted);gap:8px}.zephr-section.svelte-h57nmp.svelte-h57nmp:first-child{padding-top:0;border-bottom:none }.zephr-section.svelte-h57nmp.svelte-h57nmp:last-child{border-bottom:none }.zephr-section.svelte-h57nmp span.svelte-h57nmp{font-weight:590}.zephr-section.svelte-h57nmp h2.svelte-h57nmp{margin:0} .subscriptions-list-container.svelte-2hm0a{margin-top:40px;display:flex;flex-direction:column;gap:40px} .past-subscriptions-link-wrapper.svelte-1gacumx{margin:10px 0} .event-link-wrapper{margin-top:10px}.float-right.svelte-12vtv9v{float:right;margin-top:calc(var(--zephr-input-height) * -1px + 5px)} .bold-label.svelte-121zkre label{font-weight:bold}.read-only-input.svelte-121zkre{border:none;background:none;color:#333;cursor:default;outline:none;flex-grow:1;margin-right:10px;margin-top:15px}.zephr-form-relative-container.svelte-121zkre{display:flex;align-items:center;justify-content:space-between;width:100%}.update-link{white-space:nowrap;text-decoration:none;font-size:0.75em} .bold-label.svelte-121zkre label{font-weight:bold}.read-only-input.svelte-121zkre{border:none;background:none;color:#333;cursor:default;outline:none;flex-grow:1;margin-right:10px;margin-top:15px}.zephr-form-relative-container.svelte-121zkre{display:flex;align-items:center;justify-content:space-between;width:100%}.update-link{white-space:nowrap;text-decoration:none;font-size:0.75em} .zephr-form-ro-attribute{display:flex;align-items:center;height:50px;justify-content:flex-start}.zephr-form-ro-attribute-label{margin-right:10px;&:after { content: ": "; }} hr.svelte-4jb3ht{border-width:1px 0px 0px;margin:20px 0px;border-color:var(--zephr-color-background-tinted)}.session-container.svelte-4jb3ht{padding:15px;display:flex;flex-direction:column}.device-title.svelte-4jb3ht{font-weight:bold;font-size:1.2em;margin-bottom:10px}.current-device.svelte-4jb3ht{color:#777;font-size:0.9em;margin-left:10px}.login-time.svelte-4jb3ht,.browser.svelte-4jb3ht,.country.svelte-4jb3ht{margin-bottom:10px;font-size:0.9em} .sign-out-all.svelte-1gdzu2p{color:#0073e6;cursor:pointer;font-size:1em;margin:20px 0;text-align:center}.sign-out-all.svelte-1gdzu2p:hover{text-decoration:underline} .table.svelte-15e6uru.svelte-15e6uru{display:grid;grid-template-columns:0.7fr 1.4fr 1fr 0.6fr}.table-head.svelte-15e6uru.svelte-15e6uru{display:contents}.table-row.svelte-15e6uru.svelte-15e6uru{display:contents}.table-head.svelte-15e6uru>div.svelte-15e6uru{font-size:13px;padding:13px 10px 10px;border-bottom:1px solid var(--zephr-color-background-tinted)}.table-row.svelte-15e6uru>div.svelte-15e6uru{font-size:var(--zf-info-fontSize);height:60px;padding:0 10px;border-bottom:1px solid var(--zephr-color-background-tinted);display:flex;align-items:center}.table-head.svelte-15e6uru>div.svelte-15e6uru:first-child,.table-row.svelte-15e6uru>div.svelte-15e6uru:first-child{padding-left:0}.table-head.svelte-15e6uru>div.svelte-15e6uru:last-child,.table-row.svelte-15e6uru>div.svelte-15e6uru:last-child{padding-right:0}.taxes.svelte-15e6uru.svelte-15e6uru{color:var(--zephr-color-background-tinted);white-space:pre;font-size:small} .zephr-form-button-group.svelte-s116f2{display:flex;flex-direction:row;gap:12px;margin-top:20px}.zephr-form-back-button.svelte-s116f2{padding:0 20px;border-radius:calc(var(--zephr-button-borderRadius) * 1px);border-style:solid;border-width:calc(var(--zephr-button-borderWidth) * 1px);border-color:var(--zephr-color-action-main);display:flex;justify-content:center;align-items:center;width:100%;background-color:var(--zephr-color-action-main);color:var(--zf-button-color);cursor:pointer}.zephr-form-continue-button.svelte-s116f2{padding:0 20px;border-radius:calc(var(--zephr-button-borderRadius) * 1px);border-style:solid;border-width:calc(var(--zephr-button-borderWidth) * 1px);border-color:var(--zephr-color-action-main);display:flex;justify-content:center;align-items:center;width:100%;background-color:var(--zf-button-color);color:var(--zephr-color-action-main);cursor:pointer}.zephr-form-back-button.svelte-s116f2:hover{background-color:var(--zephr-color-action-tinted);border-color:var(--zephr-color-action-tinted)}.zephr-form-continue-button.svelte-s116f2:hover{background-color:var(--zephr-color-action-tinted);border-color:var(--zephr-color-action-tinted);color:var(--zf-button-color)}.zephr-form-back-button.svelte-s116f2:not(inputHeight){height:calc(var(--zephr-button-height) * 1px)}.zephr-form-continue-button.svelte-s116f2:not(inputHeight){height:calc(var(--zephr-button-height) * 1px)} .zephr-form-button.svelte-16hrghb{padding:0 20px;text-decoration:none;text-transform:capitalize;border-radius:calc(var(--zephr-button-borderRadius) * 1px);font-size:var(--zf-button-fontSize);font-weight:normal;cursor:pointer;border-style:solid;border-width:calc(var(--zephr-button-borderWidth) * 1px);border-color:var(--zephr-color-action-tinted);transition:backdrop-filter 0.2s, background-color 0.2s;display:flex;justify-content:center;align-items:center;width:100%;background-color:var(--zephr-color-action-main);color:var(--zf-button-color);position:relative;overflow:hidden;height:calc(var(--zephr-button-height) * 1px)}.zephr-form-button.svelte-16hrghb:hover{background-color:var(--zephr-color-action-tinted);border-color:var(--zephr-color-action-tinted);color:var(--zf-button-color)}.zephr-form-button-top-margin.svelte-16hrghb{margin-top:20px} .recipient-name-section.svelte-wt5yoy{margin-top:1rem;margin-bottom:1rem}.field.svelte-wt5yoy{margin-bottom:0.5rem}label.svelte-wt5yoy{display:block;margin-bottom:0.5rem;color:var(--zephr-color-text-tinted);padding:0.5rem;border:calc(var(--zephr-input-borderWidth) * 1px) solid var(--zephr-input-borderColor);border-radius:calc(var(--zephr-input-borderRadius) * 1px);background-color:var(--zf-input-bgColor);color:var(--zephr-color-text-main);border-color:var(--zephr-color-action-main)}.error.svelte-wt5yoy{border-color:var(--zephr-color-warning-main) !important}.error-text.svelte-wt5yoy{color:var(--zephr-color-warning-main);font-size:0.875em;margin-top:0.25rem;font-family:var(--zf-root-fontFamily)} .recipient-email-section.svelte-17rjebp{margin-bottom:1rem}.field.svelte-17rjebp{margin-bottom:0.5rem}label.svelte-17rjebp{display:block;margin-bottom:0.5rem;color:var(--zephr-color-text-tinted);padding:0.5rem;border:calc(var(--zephr-input-borderWidth) * 1px) solid var(--zephr-input-borderColor);border-radius:calc(var(--zephr-input-borderRadius) * 1px);background-color:var(--zf-input-bgColor);color:var(--zephr-color-text-main);border-color:var(--zephr-color-action-main)}.error.svelte-17rjebp{border-color:var(--zephr-color-warning-main) !important}.error-text.svelte-17rjebp{color:var(--zephr-color-warning-main);font-size:0.875em;margin-top:0.25rem;font-family:var(--zf-root-fontFamily)} .recipient-address-section.svelte-hqngij{margin-bottom:1rem}.address-main-label.svelte-hqngij{display:block;margin-bottom:0.75rem;color:var(--zephr-color-text-tinted);font-weight:600}.address-fields.svelte-hqngij{display:grid;grid-template-columns:repeat(2, 1fr);gap:1rem}.full-width.svelte-hqngij{grid-column:1 / -1}.field.svelte-hqngij{margin-bottom:0.5rem}label.svelte-hqngij{display:block;margin-bottom:0.5rem;color:var(--zephr-color-text-tinted);padding:0.5rem;border:calc(var(--zephr-input-borderWidth) * 1px) solid var(--zephr-input-borderColor);border-radius:calc(var(--zephr-input-borderRadius) * 1px);background-color:var(--zf-input-bgColor);color:var(--zephr-color-text-main);border-color:var(--zephr-color-action-main)}.error-text.svelte-hqngij{color:var(--zephr-color-warning-main);font-size:0.875em;margin-top:0.25rem;font-family:var(--zf-root-fontFamily)}@media(max-width: 640px){.address-fields.svelte-hqngij{grid-template-columns:1fr}} .recipient-message-section.svelte-90amkz{margin-top:1rem;margin-bottom:1rem}.field.svelte-90amkz{margin-bottom:0.5rem}label.svelte-90amkz{display:block;margin-bottom:0.5rem;color:var(--zephr-color-text-tinted);min-height:100px;resize:vertical;padding:0.5rem;border:calc(var(--zephr-input-borderWidth) * 1px) solid var(--zephr-input-borderColor);border-radius:calc(var(--zephr-input-borderRadius) * 1px);background-color:var(--zf-input-bgColor);color:var(--zephr-color-text-main);border-color:var(--zephr-color-action-main)} .zephr-form-input-wrapper.svelte-1wfl3xs{display:flex;flex-direction:column;margin-bottom:16px;width:100%}label.svelte-1wfl3xs{margin-bottom:8px;font-weight:500}input.svelte-1wfl3xs{padding:12px;border-radius:var(--input-border-radius, 4px);border:var(--input-border-width, 1px) solid var(--input-border-color, #ccc);font-size:16px;height:var(--input-height, 50px);box-sizing:border-box}input.svelte-1wfl3xs:focus{outline:none;border-color:var(--color-action-main, #006EDB)}input.error.svelte-1wfl3xs{border-color:var(--color-warning-main, #D90B00)}.error-message.svelte-1wfl3xs{color:var(--color-warning-main, #D90B00);font-size:14px;margin-top:4px}.required.svelte-1wfl3xs{color:var(--color-warning-main, #D90B00)} .zephr-form-max-width{max-width:var(--zf-container-maxWidth);margin:auto}.zephr-form-content.svelte-cde0t0{padding:var(--zf-container-padding);background-color:var(--zf-container-bgColor);border:var(--zf-container-border);border-radius:var(--zf-container-borderRadius)}.zephr-payment-options-content.svelte-cde0t0{background-color:transparent;border:none;border-radius:0}.close-button-container.svelte-cde0t0{text-align:right;width:100%;margin-bottom:15px}.close-button.svelte-cde0t0{cursor:pointer;display:inline;padding:7px;min-width:32px;min-height:32px;border-radius:16px;margin:1px}.loading-placeholder.svelte-cde0t0{display:flex;justify-content:center;align-items:center;min-height:200px} .zephr-form{--zf-root-fontSize:16px;--zf-root-fontFamily:var(--zephr-typography-body-font), var(--zephr-typography-body-fallbackFont);--zf-container-maxWidth:440px;--zf-container-padding:20px;--zf-container-margin:20px auto;--zf-container-border:none;--zf-container-borderRadius:calc(var(--zephr-input-borderRadius) * 1px);--zf-container-color:var(--zephr-color-text-main);--zf-container-bgColor:var(--zephr-color-background-main, transparent);--zf-info-fontSize:14px;--zf-subtext-fontSize:12px;--zf-link-color:#6ba5e9;--zf-input-fontSize:var(--zf-root-fontSize);--zf-input-bgColor:var(--zephr-color-background-main, transparent);--zf-button-fontSize:calc(var(--zephr-button-fontSize, 16) * 1px);--zf-button-color:#fff;--zf-password-valid-color:#7bcb7f;--zf-password-invalid-color:#c4c4c4;--zf-payment-options-fontSize:var(--zf-subtext-fontSize);--zf-payment-options-color:var(--zephr-color-text-main);--zf-payment-options-bgColor:var(--zf-container-bgColor);--zf-payment-options-border:calc(var(--zephr-input-borderWidth) * 1px) solid var(--zephr-input-borderColor);--zf-payment-options-borderRadius:calc(var(--zephr-input-borderRadius) * 1px);--zf-payment-options-highlighted-color:var(--zephr-color-text-main);--zf-payment-options-highlighted-bgColor:var(--zephr-color-accent-main);--zf-payment-summary-fontSize:var(--zf-subtext-fontSize);--zf-payment-summary-color:var(--zephr-color-text-main);--zf-payment-summary-bgColor:var(--zf-input-bgColor);--zf-payment-summary-border:calc(var(--zephr-input-borderWidth) * 1px) solid var(--zephr-input-borderColor);--zf-payment-summary-borderRadius:calc(var(--zephr-input-borderRadius) * 1px);--zf-list-subscriptions-container-maxWidth:630px;--zf-list-subscriptions-container-padding:24px;--zf-list-subscriptions-section-padding:16px 0px;--zf-list-subscriptions-container-border:calc(var(--zephr-input-borderWidth) * 1px) solid var(--zephr-input-borderColor);--zf-list-subscriptions-container-borderRadius:calc(var(--zephr-input-borderRadius) * 1px);--zf-list-subscriptions-info-fontSize:var(--zf-info-fontSize)}.zephr-form.svelte-jjl1p8{color:var(--zf-container-color);margin:var(--zf-container-margin);font-size:var(--zf-root-fontSize);overflow:visible;font-size:var(--zf-root-fontSize, unset);line-height:unset;margin:unset;padding:unset;border:unset;background:unset;&:hover, &:focus-visible { border: unset; background: unset; }}.zephr-form-disabled-div{pointer-events:none;opacity:0.8}.zephr-form-relative-container{position:relative}.zephr-form-flex-container{display:flex}.zephr-form-input-inner-button{cursor:pointer;position:absolute;top:50%;transform:translateY(-50%);right:5px;padding:10px 5px}.zephr-form-input-inner-text{color:var(--zephr-color-text-main);font-size:var(--zf-subtext-fontSize);font-weight:bold;font-family:var(--zf-root-fontFamily)} /* === FORM CARD CONTAINER === */ .zephr-form-max-width, .zephr-payment-form-max-width { background-color: #f9f9fb !important; padding: 32px !important; border-radius: 31px !important; border: 2px solid #e5e5e5 !important; max-width: 600px !important; margin: 0 auto !important; } .zephr-form-login-link { margin: 0!important; } .zephr-form-checkmark { border-radius: 0px !important; border: 2px solid #e5e5e5 !important; } /* === FORM LAYOUT === */ .zephr-form-content { display: flex !important; flex-direction: column !important; gap: 1rem !important; margin: 0!important; background-color: var(--bs-body-bg) !important; } .zephr-form form { background-color: var(--bs-body-bg) !important; } /* === INPUT STYLING === */ .zephr-form-input, .zephr-form input[type="email"], .zephr-form input[type="text"], .zephr-form input[type="password"], .zephr-form input[type="number"], .zephr-form input[type="tel"], .zephr-form input[type="url"], .zephr-form textarea { border-radius: 0 !important; border: 1px solid #ddd !important; font-size: 16px !important; padding: 12px 16px !important; width: 100% !important; background-color: #fff !important; box-shadow: none !important; } /* === INPUT FOCUS === */ .zephr-form input:focus, .zephr-form textarea:focus { outline: none !important; border-color: #000 !important; box-shadow: none !important; } /* === LABEL STYLING === */ .zephr-form-input-label span { font-size: 14px !important; font-weight: 600 !important; color: #111 !important; margin-bottom: 0.25rem !important; display: inline-block !important; } .zephr-form-custom-text { color: var(--bs-body-color) !important; } /* === BUTTON STYLING === */ .zephr-form-button, .zephr-form button[type="submit"] { background-color: #111 !important; color: #fff !important; font-weight: 700 !important; font-size: 16px !important; text-transform: uppercase !important; border-radius: 12px !important; padding: 14px !important; width: 100% !important; border: none !important; cursor: pointer !important; } .zephr-form-button:disabled { background-color: #ccc !important; cursor: not-allowed !important; } .zephr-form-button:hover:not(:disabled) { background-color: #000 !important; } /* === PROMO TOGGLE LINK === */ .zephr-form-promo-activate-line { background: none !important; border: none !important; padding: 0 !important; font-size: 14px !important; font-weight: 500 !important; color: #000 !important; text-align: left !important; margin-top: 8px !important; cursor: pointer !important; } /* === SUMMARY SECTION === */ .zephr-form-summary, .zephr-payment-form-summary { background-color: #f9f9fb !important; border: none !important; padding: 0 0 1rem 0 !important; margin: 0 0 1rem 0 !important; border-radius: 0 !important; } .zephr-form-summary-line-title { font-size: 20px !important; font-weight: 700 !important; color: #111 !important; } .zephr-form-summary-line-price { font-size: 18px !important; font-weight: 600 !important; color: #111 !important; } /* === SMALL SCREEN PADDING TWEAKS === */ @media (max-width: 576px) { .zephr-form-max-width, .zephr-payment-form-max-width { padding: 24px !important; border-radius: 16px !important; } } /* === MAIN FLEX CONTAINER === */ .payment-options-container { display: flex !important; flex-direction: row !important; justify-content: stretch !important; align-items: stretch !important; flex-wrap: nowrap !important; gap: 0 !important; padding: 0 !important; margin: 0 auto 32px !important; border-radius: 31px !important; border: 2px solid #e5e5e5 !important; overflow: hidden !important; max-width: 960px !important; background: var(--bs-body-bg); } /* === WRAPPER: ENSURE NO MARGIN/BORDER/GAP === */ .payment-option-wrapper { flex: 1 1 0% !important; display: flex !important; flex-direction: column !important; margin: 0 !important; padding: 0 !important; border: none !important; min-width: 0 !important; } /* === REMOVE ANY INTER-BORDER SPACING === */ .payment-option-wrapper:not(:last-of-type) { border-right: 1px solid #e5e5e5 !important; } /* === CLEANUP CONTAINER === */ .box-container { display: flex !important; flex-direction: column !important; width: 100% !important; height: 100% !important; margin: 0 !important; padding: 0 !important; border: none !important; background: transparent !important; box-shadow: none !important; } /* === INNER BOX, NO GAPS OR MARGINS === */ .inner-box { display: flex !important; flex-direction: column !important; justify-content: space-between !important; height: 100% !important; padding: 32px 24px !important; margin: 0 !important; border: none !important; border-radius: 0 !important; background-color: var(bs-secondary-bg) !important; } /* === ROUND ONLY FIRST AND LAST === */ .payment-option-wrapper:first-of-type .inner-box { border-top-left-radius: 20px !important; border-bottom-left-radius: 20px !important; } .payment-option-wrapper:last-of-type .inner-box { border-top-right-radius: 20px !important; border-bottom-right-radius: 20px !important; } /* === PRICE === */ .inner-box h1 { font-size: 36px !important; font-weight: 700 !important; text-align: center !important; margin: 0 0 8px !important; } /* === PLAN NAME === */ .inner-box h3 { font-size: 16px !important; font-weight: 700 !important; text-transform: uppercase !important; text-align: center !important; margin: 0 0 12px !important; } /* === DESCRIPTION === */ .inner-box p { font-size: 14px !important; font-style: italic !important; color: #444 !important; text-align: center !important; margin: 0 0 24px !important; } /* === BUTTONS === */ .zephr-form-button { margin-top: auto !important; padding: 14px 0 !important; font-size: 14px !important; font-weight: bold !important; text-transform: uppercase !important; border: none !important; border-radius: 8px !important; width: 100% !important; background-color: #000 !important; color: #fff !important; cursor: pointer !important; } /* === RED CTA ON MIDDLE BOX === */ .box-container.highlighted .zephr-form-button { background-color: #f53c60 !important; } .zephr-form-button:hover:not(:disabled) { background-color: #f53c60 !important; } zephr-form-button:hover:disabled { background-color: #f53c60 !important; } /* === SAVE BADGE === */ .box-top-text { position: absolute !important; top: 15px !important; right: 15px !important; background-color: #ffff4c !important; transform: rotate(20deg); color: #000 !important; font-size: 12px !important; font-weight: bold !important; border-radius: 50% !important; padding: 19px 18px !important; text-align: center !important; line-height: 1.2 !important; width: 84px !important; height: 84px !important; box-shadow: 0 2px 6px rgba(0, 0, 0, 0.2) !important; z-index: 10 !important; } /* === CLEANUP EMPTY .box-top === */ .box-top { height: 0 !important; margin: 0 !important; padding: 0 !important; background: none !important; border: none !important; display: contents !important } .box-container { position: relative !important; } @media (max-width: 768px) { .payment-options-container { flex-direction: column !important; border-radius: 12px !important; overflow: hidden !important; } .payment-option-wrapper { border-right: none !important; border-bottom: 1px solid #e5e5e5 !important; } .payment-option-wrapper:first-of-type .inner-box { border-top-left-radius: 20px !important; border-top-right-radius: 20px !important; } .payment-option-wrapper:last-of-type { border-bottom: none !important; } .payment-option-wrapper:last-of-type .inner-box { border-bottom-left-radius: 20px !important; border-bottom-right-radius: 20px !important; } /* Remove left/right radius that only makes sense in horizontal layout */ .payment-option-wrapper .inner-box { border-radius: 0 !important; } } .zephr-form.svelte-jjl1p8, .zephr-form { color: var(--bs-body-color) !important; }

https://www.adweek.com/commerce/advertisers-can-now-see-when-retail-media-ads-on-meta-drive-sales/




Could the Next Hit Podcaster Be… Your CFO?

On Tuesday, the business news publisher Morning Brew announced the launch of a new podcast, called People Person, to complement its business-to-business franchise HR Brew. 

The show, however, will not be hosted by a journalist, social media lead, or even a professional podcaster—instead, it will be led by Kate Noel, the senior vice president of people operations at Morning Brew.

The podcast, which will explore the complexities of running a human resources department in this particularly disruptive moment, is not the only Morning Brew podcast helmed by its commercial staff. 

Per My Last Email, a career advice podcast launched by Morning Brew in April 2024, is led by Morning Brew chief of staff Kyle Hagge and director of consumer revenue Kaila Lopez. And, according to Morning Brew president Devin Emery, more such products are in the works. 

“We have Revenue Brew, so if we decide to do content for that, we would want someone from our sales team to be talent,” Emery said. “We are building out a mechanism that enables not just our journalists, but also our business-side folks, to be creators.”

Even in a media landscape where journalists are increasingly encouraged to imitate influencers, this arrangement stands out. It is one thing to ask a reporter, who has nominally agreed to act in some sort of public-facing capacity, to speak into a mic or get in front of a camera. It is another thing entirely to ask that of your rank and file staff.

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But when it comes to creator strategy, Morning Brew has historically been ahead of the curve. Axel Springer acquired the startup in October 2020 for $75 million largely because it appealed to younger audiences, a feat it accomplished in part through its early embrace of influencers. 

Nearly from its inception, Morning Brew paired a distributed approach to editorial—building around franchises, each with newsletters, podcasts, and video, rather than a singular website—with a cinematic universe of social media creators. 

These creators were given an expansive remit to create seemingly whatever kind of content they wanted, so long as it tied tangentially back to the world of business. Several of these ambassadors, including Dan Toomey and Macy Gilliam, have become bona fide stars in their own right, and their virality has lent a halo effect and heightened brand awareness to their employer.

Now, Morning Brew is once again seizing on an emergent trend.

The rise of the B2B creator

In recent years, a new cohort of creator—the B2B influencer—has emerged, thanks largely to platforms like LinkedIn.

These creators often tout their expertise in specific professional disciplines to capture attention in the nebulous world of thought leadership. Folks like Lenny Rachitsky, Colin and Samir, and Link in Bio’s Rachel Karten have helped pioneer the field, and the publisher Workweek has built a network based on the same premise.

For B2B marketers, these creators serve a function similar to that of their consumer counterparts: they review products, create compelling content, and help their brand partners win business.

The field has grown rapidly. According to a 2024 survey from TopRank Marketing, 81% of B2B marketers now have dedicated influencer marketing budgets. 53% said their budgets were growing, and 9% said they planned to introduce such programs in 2025.

For Morning Brew, just as the publisher was quick to incorporate creators into its consumer-facing brands, it now wants to do the same for its business-facing portfolio, which includes franchises like HR Brew, Revenue Brew, IT Brew, and Marketing Brew.

The qualifications for these creators, though, are somewhat different from standard influencers, according to eMarketer analyst Emmy Liederman. 

In an April 2025 report from eMarketer surveying the top criteria for working with B2B creators, marketers ranked authenticity and credibility first (58%), ahead of industry relevance (49%), subject matter expertise (47%), and audience engagement (45%). 

What matters most in the world of B2B influencing, then, is not audience size, notoriety, or even market-commanding expertise. Instead, what resonates is a sense of legitimacy, something that actual practitioners have in spades.

“In typical influencer marketing, engagement is at the top,” Liederman said. “With B2B marketing, what moves the needle is showing that you have authority.”

Good talent is hard to find

Critically, Morning Brew does not consider People Person or Per My Last Email to be B2B marketing, according to Emery. They aren’t selling a service, only capturing attention.

Still, whether the content is marketing or editorial, what attracts an audience remains somewhat universal. And key to that endeavour is finding the right talent.

Morning Brew has intentionally opted to recruit in-house for its talent, pointing to the known culture fit and lower initial investment as rationale, Emery said. It is not opposed to recruiting outside talent, but its first instinct is to look internally.

Noel, for instance, has been with the publisher for five years and is “electric—somebody you remember meeting,” according to Josh Kaplan, founder of the B2B creator agency Smooth Media and a former Morning Brew employee.

“It’s hard to find good talent in the world of B2B creators,” Kaplan said. “So if you happen to have that talent as your director of HR, you probably want to take advantage of it.”

The prospect of recruiting internal talent to serve in roles outside of their stated job description could raise potential issues, according to Liederman. How the employee is compensated, whether they feel comfortable declining to participate, and the effect of the additional workload are all points of concern.

In the case of People Person, Noel receives a share of the revenue she generates, according to Emery, although he declined to offer further details. She also volunteered for the opportunity, rather than being asked to participate, Emery added. She’d also been featured in Morning Brew’s editorial offerings before, answering reader questions for the “Make It Work” advice column.

The new responsibilities do not change the employment relationship between Noel and Morning Brew—she is not “talent,” at least in the contractual sense. And the publisher, which has nearly a decade of experience in working with creators, will use producers to script the show, Emery said.

Company booster

But even with these guardrails in place, the move to cast revenue-side staff as creators underscores a pivotal shift in how companies are navigating the boundary between their employees’ personal and professional lives.

Increasingly, your presence on the internet is tied to your profession, which means both your digital and analog behavior can ultimately reflect on your employer. Look at the Coldplay kiss cam scandal as evidence of how quickly a personal affair becomes a corporate concern. When it comes to the intersection of your personal social presence and its relationship to your job, the distinction between the two is growing thin. 

Of course, this line of inquiry can quickly get existential. In a world where value is defined by where you place your attention, every social media post is an act of influence. We have mostly made peace with this reality, in part because such displays have been voluntary up to this point. But this latest evolution in creator behavior is unsettling because it questions how much longer that might be the case. 

Are we bound for a future in which employees are expected to be public boosters of their companies? Consider that most of us already are—every time you post on LinkedIn, you are directing your followers’ attention to your employer. 

On the extreme end of this spectrum lies Lara Sophie Bothur, a business analyst at Deloitte who became its first “corporate influencer” in 2022. In her role, Bothur acts as an ambassador for Deloitte, articulating its views through her own personal social media. 

“I represent the company and am one of its communication channels,” Bothur said. “Internal advocates of a company make it more human, which helps us build trust.”

While this kind of commitment is atypical now, it could soon become an expectation for employees, particularly executives. 

Already, CEOs are expected to serve as mouthpieces for their organizations. In Silicon Valley, founders increasingly cycle between a circuit of podcasts hosted by other founders, all of whom are expected to beat the drum for their startups. Consider that the hottest new technology podcast, TBPN, consists solely of two technology boosters cheerfully platforming technology executives. 

Given these realities, how much longer will revenue-side leaders be allowed to sit on the sidelines of the attention economy? Practitioners without podcasts could be seen as underutilizing their expertise, leaving eyeballs on the table that could otherwise benefit their employers. 

Such a reality feels distant. But it is almost certainly on the horizon.

https://www.adweek.com/media/podcaster-cfo-morning-brew-business-creators/




EXCLUSIVE: The New York Times Launches TikTok-Inspired ‘Watch’ Tab


The New York Times unveiled a new Watch tab in its flagship app on Tuesday, a mobile-native destination for vertical video that marks a significant expansion from the publisher into visual journalism.

The swipeable video feed, which has been available to a small cohort of users for several weeks, will feature short-form clips spanning The Times’ portfolio—News, Opinion, Cooking, Wirecutter, and The Athletic—curated and refreshed throughout the day. 

The product marks the first time a major publisher has introduced a dedicated tab for vertical video within its own app, signaling how seriously The Times is treating the medium as a core storytelling format rather than an off-platform experiment.

“We’ve transformed our journalism to be multimedia,” said Joy Robins, global chief advertising officer of The New York Times, “and the Watch tab is the next evolution of how we provide users a destination to engage with our video.” 

The launch caps a period of rapid transformation for The Times, which has spent the past three years recasting its newsroom as a multimedia engine. 

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After years of investing in audio, visuals, and documentary work, the publisher now produces roughly 75 hours of professionally made video each month, according to the company. Video consumption across its platforms has more than doubled year over year, and viewers now stream hundreds of millions of minutes of Times-produced clips monthly.

The new tab arrives seven months after the company introduced a Listen tab and just weeks after announcing the shutdown of its standalone Audio app, the features of which are being folded into the main News app experience. 

Together, the updates turn The Times’ app into a single home for text, video, and audio—an integrated ecosystem that mirrors how audiences already consume content across devices and platforms.

Engagement before monetization

Unlike TikTok or Instagram Reels, Watch will launch without advertising or algorithmic personalization, according to Robins.

For now, the goal is to learn how users interact with short-form video—what they watch, finish, and return to—before introducing marketing opportunities. 

The unique combination of a vertical video feed without an algorithm will offer an interesting case study into how engaging the format is without the machine learning of TikTok and Reels. The feed also lacks signal providers, such as likes or comments, that social platforms use to gauge user interest. 

For videos that are previews of full-length content available elsewhere on the app, like stories, podcasts, or full-length videos, users can click through the text at the bottom of the vertical video to discover the original content. In this way, the feed serves as a recirculation and content discovery engine, in addition to a means of engagement.

The Times plans to open the format to a small group of beta advertisers in 2026, Robins said. That rollout will build on lessons from its Games app, where vertical interstitial ads have achieved 80% to 90% viewability and significant brand-lift improvements, according to the publisher.

The content format, combined with The Times’ editorial capability, could make an enticing pitch for marketers, according to Digital Remedy chief revenue officer Matt Fanelli, whose company helps publishers monetize vertical video.

“As audiences spend more time in immersive, short-form environments, marketers are seeking formats that deliver both engagement and performance, not just reach,” Fanelli said. “For publishers, it opens a new avenue for monetization, pairing storytelling with inventory that’s native, high-impact, and built for how people actually consume content today.”

NYT Advertising expects to bring those learnings to Watch, offering brands an environment where they can reuse social assets and launch campaigns within 48 hours, without custom builds or lengthy approval cycles. 

The ad strategy mirrors The Times’ broader product philosophy: move slowly, learn deeply, then scale, according to Robins.

A curated feed built for discovery

The Watch tab will rely on human curation rather than algorithmic ranking, reflecting The Times’ preference for editorial judgment over machine-driven personalization. 

The feed will surface a mix of investigations, visual essays, cultural commentary, and lifestyle coverage, designed to expose users to the full breadth of The Times’ journalism rather than confine them to familiar topics.

That approach differentiates the product from social platforms and underscores the publisher’s focus on discovery and editorial range.

It’s also the latest development The Times has made to build its own controlled environment rather than rely on services like TikTok, YouTube Shorts, or Instagram Reels to reach audiences. It previously launched Listen to make audio native to its app.

Together, these changes illustrate a strategy that prioritizes owned distribution, immersive formats, and a premium user experience over reach on third-party platforms.

“What’s exciting for us is that our advertising business is doing really well without video,” Robins said. “This represents a disciplined opportunity to grow, one that follows our product evolution and gives both consumers and advertisers a quality place to watch.”

https://www.adweek.com/media/new-york-times-tiktok-inspired-watch-tab/




Can The New York Times Be the ‘Essential’ Newspaper for the Entire World?


On Tuesday, the French news publisher Le Monde launched a cross-offer initiative with The New York Times, an arrangement that will allow Le Monde—as well as its sister publications Courrier International and Le Nouvel Obs—to offer their subscribers a one-year New York Times subscription for no additional cost.

The deal is not a partnership, per se. The bundle will not be available to all Le Monde readers; instead, the French outlet will selectively present it to those with a high propensity to respond to it, such as readers who engage with the international section, according to Le Monde’s chief digital operations officer Lou Grasser. It also only goes one way: The New York Times will not be offering its readers an opportunity to subscribe to Le Monde. 

“We have seen encouraging results from other bundles, but this is fundamentally a test,” Grasser said. “The philosophy is the same that guides our deals with OpenAI and Perplexity, in that the faster we go with testing the sooner we will know what works.”

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The bundle includes The New York Times’ full digital subscription, which includes products like Cooking and Games. It is also meant to complement Le Monde in English, a translated version of Le Monde that the publisher debuted in 2022, to entice European readers who do not speak French. 

For Le Monde, the initiative is part of a larger effort to scale its subscription business. The French news publisher, the largest in the country, now has 665,000 total subscribers, 600,000 of which are digital-only, according to Grasser. (Le Monde in English has brought in around 13,000 subscribers, Grasser said, a fraction of the 150,000 English-speaking customers it had set as its 2025 goal.)

More broadly, the outlet had set for itself the ambitious goal of netting 1 million subscribers by 2025, a mark that it is also bound to miss. But it continues to work diligently toward its stated aim, and has made ample use of innovative partnerships to do so, including tie-ups with Spotify and HBO in the last year.

Overall, Le Monde Group generated €310 million ($360 million) in 2024, roughly half of which, around €150 million, came from Le Monde alone, according to Grasser. Subscriptions accounted for approximately 50% of that business, or around €75 million, which breaks down further into digital (35%) and print (15%). By the end of 2025, Le Monde anticipates generating around €70 million ($81 million) from digital subscribers, a growth of 33%.

For The Times, the initiative accomplishes several objectives. It nets it a cut of the generated revenue, for one. But more critically, it provides the news publisher, which itself aims to have 15 million subscribers by 2027, a valuable source of data about the international appetite for its subscription product. It also gains access to this data at virtually no cost, as the structure of the Le Monde deal does not require The Times to manage the infrastructure of the bundle.

“This provides The New York Times with exposure to a new market without any customer acquisition cost,” according to Felix Danczak, a subscription marketing analyst who is now head of AI and growth at venture firm Pembroke VCT. “They also get behavioral and engagement data on international readers for free, which will tell them whether or not it makes sense to do this expansion elsewhere.”

Indeed, the tie-up with Le Monde is not the first such arrangement the Gray Lady has inked. 

Last fall, four European news publishers—El País (Spain), Politiken (Denmark), the Irish Times (Ireland), and Corriere della Sera (Italy)—sweetened their subscription deals by offering complimentary access to The New York Times. The Times has these deals with more than 20 publishers, according to Nieman Lab. 

The tie-ups are part of a broader strategy for the publisher, which in March 2022 set itself the goal of becoming “the essential subscription for every curious, English-speaking person seeking to understand and engage with the world.”

All the news that’s translated to print

Lately, even a goal as lofty as serving “every curious, English-speaking person” has begun to feel limited. 

Crucially, instantaneous language translation has become more widespread. The technology has been gradually improving for years, and AI has only accelerated that rate of growth. 

Le Monde in English, for instance, became economically feasible only because AI could do the bulk of the translation work (although the final copy is reviewed by a team of editors), according to the company, which is majority owned by French billionaire Xavier Niel. (Niel is also an investor in several AI startups.)

So far, The Times’ forays into international markets have come in the form of untranslated products. Enough people speak English worldwide that it has not yet been a materially limiting factor. 

But with nearly costless translation now readily accessible, The Times could soon begin to evolve its international expansion strategy, offering its product in consumers’ native language and dramatically increasing its total addressable market, according to Danczak.

A spokesperson for The New York Times declined to comment.

The company has also faced pressure from activist investors to increase its use of the technology. In August, investment firm Fivespan announced it had built up a position in The Times, pushing the publisher to more aggressively embrace AI. Fivespan founders Dylan Haggart and Sarah Coyne pointed to AI-enabled translation as a key growth accelerant that The Times has left underutilized. 

“AI is a clear tailwind for The New York Times,” Fivespan said in a letter obtained by Bloomberg in August. “Our work shows it can more than double the company’s long-term revenue and profit potential: enhancing growth by reaching broader audiences, converting more readers into paying subscribers, and unlocking new, lucrative profit pools.”

If The Times believes it can generate 15 million English-speaking subscribers by the end of next year, imagine how much larger its potential market could be once language is no longer a barrier, Danczak said. Translation, properly handled, could dramatically balloon The Times’ subscriber base, transforming its business into a truly international resource.

The benefits extend even beyond subscribers. Translation renders not only new reporting more valuable, but archival content as well, according to Jeff Kaloski, managing director and partner at L.E.K. Consulting. 

A similar phenomenon is playing out right now in the entertainment industry, Kaloski said. Backlogs of content going back decades—more than a century in some cases—can now be localized at next to no cost, unlocking intellectual property that was once cost-prohibitive to translate.

As AI firms work to secure licensing deals with trusted information providers, The Times’ ability to translate its archive into other languages could make its data exponentially more valuable. Rather than limit its utility to English-based queries, Times content could be used to inform answers in any language, according to Danczak.

Of course, this all remains hypothetical at the moment. 

The Times, alongside Le Monde and others, has moved slowly in its embrace of AI-enabled translation in order to ensure that its quality of reporting does not suffer. Automated translation tools still produce errors particularly in less-popular languages, and competitors that have moved more quickly, like Bloomberg, have hit snags trying to inject AI-generated summaries and localization into their coverage. 

For The Times to be “the essential subscription” for the non-English speaking world, it will first need to be trusted in other languages.

https://www.adweek.com/media/new-york-times-le-monde-bundle-ai-translation-onbackground/




Grubhub to Debut First Super Bowl Ad in 2026

Grubhub is entering the Big Game for the first time.

The food delivery service announced on Wednesday that it will air its inaugural Super Bowl commercial in 2026, marking its first national campaign since being acquired by Marc Lore’s Wonder Group last November. 

The company offered few details about the creative concept or timing of the spot but positioned the move as a signal of renewed investment in its brand.

“For over 20 years, the brand has pioneered food delivery,” Grubhub said in a statement. “And now, as part of Wonder Group, it’s ready to take on the biggest stage in advertising—and football.” 

“Twenty years ago, we connected diners to their favorite local eats, and now we’re entering a new era,” said Marnie Kain, Grubhub’s vice president and head of brand. “Our first-ever national Big Game spot is the most definitive signal of our renewed investment in the Grubhub brand and a massive brand refocus for the category we helped build.”

A renewed push under Wonder

The ad will represent Grubhub’s first major brand investment under Wonder, which has snapped up a flurry of food and media holdings in quick succession. 

Lore, an ecommerce pioneer who sold Diapers.com to Amazon and Jet.com to Walmart, founded Wonder in 2021. 

In addition to acquiring Grubhub, Wonder bought meal-kit service Blue Apron for $103 million in September 2023 and digital media network Tastemade for $90 million in March, signaling its ambitions to build a vertically integrated food ecosystem spanning content, delivery, and commerce.

Grubhub joins its primary competitors, DoorDash and Uber Eats, in embracing the Super Bowl as a vehicle for raising brand awareness. Neither DoorDash nor Uber Eats has confirmed Super Bowl advertising plans for next year, but both companies have made consistent appearances during the game in recent years.

The two firms have used their Big Game spots to cement cultural relevance—Uber Eats with its celebrity-packed Century of Cravings and DoorDash with comedic, product-driven campaigns like DashPass Math.

Grubhub’s long-awaited debut suggests Wonder sees the Super Bowl as the perfect platform to reintroduce the brand to consumers and reclaim ground in a crowded category. According to a March 2024 report from Bloomberg Second Measure, DoorDash leads the category with roughly 67% market share in the U.S., followed by Uber Eats at 23%. Grubhub captures just 8%.

Details about game-day activations, promotions, and the ad’s creative team will be released closer to Super Bowl LX, which will air Feb. 8 on NBC.

“The Big Game is where brands make their biggest statements,” Kain said. “We can’t wait to remind America why we are the authority in food delivery.”

https://www.adweek.com/creativity/grubhub-super-bowl-lx-ad-wonder/




The Trade Desk Is Now Selling Onsite Retail Media Ads, Pitting It Against Criteo

Advertisers will soon be able to programmatically buy sponsored product ads on delivery app Gopuff through The Trade Desk.

That’s thanks to a new deal between the two companies and commerce adtech company Koddi, which is facilitating the integration with its ad-serving technology.

It marks the first time that The Trade Desk is selling this kind of retail media ad inventory directly through its platform, said Matthew Fantazier, vp of retail data partnerships at The Trade Desk. Up until now, The Trade Desk has only sold offsite placement that use retail data to target ads across the open web.

https://www.adweek.com/commerce/the-trade-desk-is-now-selling-onsite-retail-media-ads-pitting-it-against-criteo/




For Substack, The Free Press’ Sale Is a Tenuous Victory

When the news broke Monday that Paramount Skydance had acquired The Free Press for $150 million, Substack cofounders Hamish McKenzie and Chris Best took to a livestream to celebrate.

The Free Press, perhaps more than any other multiauthor publication on the platform, is a quintessential Substack success story, with more than a hundred thousand paying subscribers and millions of monthly readers. The duo wanted to toast the moment, which marked the biggest exit of any creator on its platform.

But the celebration comes with a sense of caution, as it raises questions about what could happen if The Free Press inevitably left the newsletter platform.

https://www.adweek.com/media/substack-free-press-paramount-cbs-sale-tenuous-victory-onbackground/




AI Is Disrupting Everything. Why Not Podcasting?


At the IAB Podcast Upfront in Midtown Manhattan on Tuesday, scores of media executives, celebrities, audio creators, and adtech vendors graced the stage to extol the virtues of podcasting.

In a series of presentations interspersed with frenzied networking breaks, panelists hit all the classic talking points: the intimacy of the medium and the efficacy it affords for advertisers; the challenges and opportunities in measurement; the need to embrace a multipronged commercial strategy; and, of course, the embrace of video that’s begun to transform the entire medium.

One topic, however, was conspicuously absent: artificial intelligence. If the technology came up at all, it was as a tool to achieve backend efficiencies, such as creative optimization, audience targeting, and streamlined editing—not as a threat to the industry, nor in any way part of the actual process of creating the podcasts themselves.

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As an unfortunate regular of the conference circuit, I can hardly overemphasize how unusual this is. Nearly every media industry event I attend immediately devolves into a parlor game of AI bingo, with the audience and panelists all waiting patiently for the subject to arise and subsume the rest of the conversation. In every other part of publishing, there is no more pressing subject matter and no greater object of hyperfixation than AI.

To compound the oddity, news of a controversial startup in the audio space has recently worked the industry into a lather. Called Inception Point AI, the company has made headlines by championing a strategy predicated on using AI-generated personalities to create podcasts, with the broader goal of turning the personalities into influencers.

The Hollywood Reporter article introducing the startup—“5,000 Podcasts. 3,000 Episodes a Week. $1 Cost Per Episode”—set off a firestorm of indignation, with thought leaders and executives in the audio industry decrying the output as “slop.” 

Set against the backdrop of this uproar, the exclusion of AI from any of the Upfront programming was particularly baffling. Clearly the barbarians are at the gates. Just as ChatGPT transformed text-based production when it was introduced two years ago, the debut of Inception Point, and the launch this week of both Meta’s and OpenAI’s AI-generated social video feeds, feels like an inflection point. 

‘Carbon-based’ creators

Just like its predecessor, the mission and methodology of Inception Point have been roundly criticized. Several audio executives I spoke with insisted that the intrusion of AI into the world of podcast creation would be limited to the fringes, if at all.

Their arguments border on the sentimental. If you’ve ever spoken with anyone involved in professional podcasting, the craft can be discussed with the kind of reverence that most people reserve for houses of worship. The words authenticity, connection, intimacy, and even magic come up frequently. It can get very woo-woo.

And yet, do you have a favorite podcast? As treacly as it sounds, the medium does yield a sense of intimacy unlike any other, one often rooted in a sense of connection that the listener has with the host. As a result, its practitioners are confident—adamant, almost—that it will be largely spared from the ravages of AI. 

“It’s obvious that creators need to be carbon-based organisms,” said Greg Glenday, CEO of the podcast company Acast. “We use AI around the edges, but our pitch to advertisers is authenticity. That is our moat and our five-year plan.”

Others echoed the sentiment that AI poses less of a threat to podcast hosts than it does to writers or even video creators. 

“As long as podcasting remains something people think of as an authentic experience,” said Matt Shapo, the director of digital audio and video at the IAB, “I’m not sure we’ll ever have the same level of disruption when it comes to content production.”

There are exceptions, of course. 

Certain genres of podcast are likely to be outsourced to AI, the same way commodity text content has been replaced by ChatGPT. Podcasts recapping sports games, detailing the weather, or offering a synopsis of a news article are already popular use cases for the technology. In these cases, according to Glenday, listeners have a connection to the content, not the creator. 

“Commodity podcasting—news, weather, daily rundowns—could be replaced,” said Alison Tucker, an associate director of audio investment at Omnicom Media Group. “But basically everything else? That’s much harder.”

The divide is reflective of a wider trend reshaping digital media. As AI dramatically reduces the effort required to create generic content, publishers and consumers are increasingly gravitating toward creator-led content, where personality can distinguish it from the deluge of information now inundating the web.

Robot callers

Still, the confidence among podcasters is disorienting, as AI has engendered existential dread into nearly every other sector of the economy. 

That optimism—misplaced or otherwise—is also exactly where Inception Point sees its opportunity, according to CEO and cofounder Jeanine Wright. 

The idea for the company came from the pandemic, when cofounder William Corbin created a popular podcast, called Covid 411, simply by reading the daily CDC update into a mic. The series spurred Corbin to think about other ways to make timely content that people want with low production costs, Wright said. 

While the ambitions of the startup are broader than podcasts, the company started with the medium because the technology surrounding synthetic audio is already advanced enough that it’s difficult to tell the difference between a real and artificial voice. 

By combining that capability with timely subject matter, the company aims to produce quick, low-lift audio products that only need to find a small audience to recoup their minimal costs. Already, Inception Point has more than 4,000 of these AI-generated shows, publishing thousands of episodes a week on platforms including iHeartMedia’s Spreaker. (Some of the flash-published series include biographies of zeitgeist subjects including Austin Butler, Ozzy Osborne, and Charlie Kirk.) 

The strategy positions the company specifically for the niche of commodity audio content that podcast executives have conceded is already susceptible to bot-sourcing. The larger question is whether audiences will embrace its entertainment output, which the company plans to expand to feature a cast of AI-generated personalities in conversation with one another, discussing real and fictional subjects through the filters of their lab-designed personalities. 

“Most of the pushback is because people have not stayed on the cutting-edge of AI development,” Wright said. “If people say that AI creators will never be able to get to the emotionality of a human creator, I think they don’t understand the capabilities of the tools today and where they will be in the future.”

That such a product could ever take off admittedly feels like a stretch. And yet, by now I am loath to bet against the steady advance of AI into every crevice of creative output. 

So who is right: the podcast professionals betting on their moat of authenticity, or the Hollywood startup farming out its editorial to bots? 

“I do have a bit of anxiety,” Glenday said. “Sometimes, you get nervous when everyone agrees.”

https://www.adweek.com/media/ai-podcasts-inception-point-onbackground/




TikTok Announces New Ad Solution for Travel Industry

TikTok knows its platform is a popular destination for travel-related content. To help brands connect to potential travelers during both the discovery and booking phases, the app is introducing Travel Ads powered by Smart+.

This new ad solution offers advertisers the ability to automatically promote their hotels, flights, and destinations at scale using personalized, catalog-integrated creatives.

“Travel on TikTok goes beyond the For You feed, unlocking real-life travel experiences,” said David Hoctor, TikTok’s head of US verticals, travel, and gaming. “With TikTok Travel Ads, advertisers can leverage dynamic ad creatives and travel-first intent signals to seamlessly guide the TikTok community from discovery to booking—making every swipe a step toward conversion.”

TikTok Travel Ads feature optimization models that identify high-intent audiences and match them with travel offerings based on their in-market activities and preferences. Advertisers can also combine TikTok’s travel intent model with their catalog data to deliver relevant, personalized travel ads at scale across the entire journey, and then use Smart+ AI tools to automate parts of their campaign, including setup, creative generation, and delivery optimization.

Advertisers can also tap into an enriched travel format that showcases hotels, flights, and destinations through visually engaging, dynamic ad formats, boosting engagement and driving incremental conversions.

TikTok Travel Ads offers brands a choice of three creative formats, including single video, catalog video, and catalog carousel.

Using single video, a hero video can be made shoppable with personalized travel cards that display details such as hotel name, flight route, destination, or price. If they opt to use catalog video ads, they can be built from catalog content, paired with relevant travel cards and calls to action to promote a property, destination, or experience.

While using the catalog carousel, a scrollable carousel will automatically pull images from a catalog, turning them into interactive ads with a strong call to action.

TikTok knows it has a big base of travel enthusiasts on its platform with 66% of users saying it’s their most helpful source of travel inspiration. In addition, users noted they are 2.6 times more likely to book an experience after searching on TikTok.

https://www.adweek.com/social-marketing/tiktok-travel-ads-smart-plus/




Reddit Introduces Reddit Pro Tools for Publishers

Reddit is introducing a new set of tools making it easier for media outlets to share and track content across the popular social media platform.

Reddit Pro tools for publishers is built with features designed to help publishers find and engage directly with knowledge seekers on Reddit.

Now in beta mode, the platform is opening a test waitlist for its suite of three new tools featured within Reddit Pro, which it expects to be available to all users sometime in 2026.

Located within the new Links tab, the new tools include obtaining article insights, which allows publishers to track which of their stories are being shared on Reddit. They will also be able to see the specific communities their stories are shared in, and monitor key metrics like views, upvotes, and clicks.

Publishers will now also be able to sync their RSS feeds and automatically import their articles to Reddit Pro, making them instantly shareable across the social media platform.

What is a set of new features without artificial intelligence? The surging tech function will also be part of the featured tools, giving publishers AI-powered community suggestions for where to post their articles. Reddit said this ensures that their content finds the right audiences and generates meaningful conversations.

The Atlantic, The Hill, NBC News, and The Associated Press are some of the publishers that have already been alpha-testing Reddit Pro tools for publishers.

Also coming soon for Reddit users will be an improved way to read articles on the platform. Articles posted directly on the application will now be enabled with a swipe-up feature to view comments and join in the conversation.

This feature should be of great benefit to Reddit as it ensures continuous engagement on the platform.

https://www.adweek.com/media/reddit-introduces-reddit-pro-tools-for-publishers/