Winter.
A video by Positive Magazine to Celebrate winter.
Available on our Youtube Channel
Follow @positive_mag on twitter for the last updates https://www.positive-magazine.com/winter/?utm_source=rss&utm_medium=rss&utm_campaign=winter
A video by Positive Magazine to Celebrate winter.
Available on our Youtube Channel
Follow @positive_mag on twitter for the last updates https://www.positive-magazine.com/winter/?utm_source=rss&utm_medium=rss&utm_campaign=winter
The CEOs of Warner Bros. Discovery (WBD) and Paramount Global discussed a potential merger on Tuesday, according to a report from Axios citing “multiple” anonymous sources. No formal talks are underway yet, according to The Wall Street Journal. But the discussions look like the start of consolidation discussions for the media industry during a tumultuous time of forced evolution.
On Wednesday, Axios reported that WBD head David Zaslav and Paramount head Bob Bakish met in Paramount’s New York City headquarters for “several hours.”
Zaslav and Shari Redstone, owner of Paramount’s parent company National Amusements Inc (NAI), have also spoken, Axios claimed.
One of the publication’s sources said a WBD acquisition of NAI, rather than only Paramount Global, is possible.
Talks to unite the likes of Paramount’s film studio, Paramount+ streaming service, and TV networks (including CBS, BET, Nickelodeon, and Showtime) with WBD’s Max streaming service, CNN, Cinemax, and DC Comics properties are reportedly just talks, but Axios said WBD “hired bankers to explore the deal.”
It’s worth noting that WBD will suffer a big tax hit if it engages in merger and acquisition activity before April 8 due to a tax formality related to Discovery’s merger with WarnerMedia (which formed Warner Bros. Discovery) in 2022.
Besides the reported talks being in very early stages, there are reasons to be skeptical about a WBD and Paramount merger. The biggest one? Debt.
The New York Times notes that WBD has $40 billion in debt and $5 billion in free cash flow. Paramount, meanwhile, has $15 billion in debt and a negative cash flow. Zaslav has grown infamous for slashing titles and even enacting layoffs to save costs. But WBD is eyeing greener pastures and declared Max as “getting slightly profitable” in October. Adding more debt to WBD’s plate could be viewed as a step backward.
Additionally, Paramount is even more connected to old, flailing forms of media than WBD, as noted by The Information, which pointed to two-thirds of Paramount’s revenue coming from traditional TV networks.
Antitrust concerns could also impact such a deal.
WBD stocks closed down 5.7 percent, and Paramount’s closed down 2 percent after Axios’ report broke.
Of course, these details about a potential merger may have been reported because WBD and/or Paramount want us to know about it so that they can gauge market reaction and/or entice other media companies to discuss potential deals.
https://arstechnica.com/?p=1992627
After three years, a new expansion, and $120 million of additional investment, the video game Cyberpunk 2077 is enjoying renewed attention and appreciation right now—and it turns out that will lead to a live-action adaptation, according to a press release on developer CD Projekt Red’s website.
The creative team behind the game will partner with Anonymous Content—a media company known for the TV series Mr. Robot and True Detective and the film The Revenant, among many other productions—to bring the franchise to live action. The announcement didn’t specify whether the live-action production would be a TV series or a movie, nor did it specify when it would come out or on which platforms.
It does, however, state that it will be a “brand-new story set in the world of Cyberpunk 2077,” and that it is “at an early development stage”—so early, in fact, that the team is looking for a screenwriter. The fact that it will be a new story makes it seem unlikely that we’ll see Keanu Reeves reprise his role as Johnny Silverhand.
This won’t be the first time either Cyberpunk 2077 or CD Projekt Red has ventured outside of video games, though. In 2022, Netflix released an anime titled Cyberpunk: Edgerunners that drew widespread critical acclaim and was a smash hit. It also led to substantial renewed interest in the game, which suffered a maligned launch in late 2020. Netflix also released a live-action TV series based on The Witcher, though it’s worth noting that it was a series of books before it was a video game franchise or a TV series.
The Cyberpunk franchise wasn’t initially a video game, either; it originated as a tabletop role-playing game.
Still, Hollywood studios and streaming platforms have been on a tear with video game adaptations these past few years. There have been successful theatrical releases of Sonic the Hedgehog, Pokémon, and Mario movies, acclaimed streaming TV adaptations of The Last of Us and The Witcher, and a whole bunch more, like TV shows or films based on franchises like Twisted Metal, Uncharted, and Gran Turismo.
https://arstechnica.com/?p=1974195
Andrew Cunningham and Lee Hutchinson have spent decades of their lives with Robert Jordan and Brandon Sanderson’s Wheel of Time books, and they previously brought that knowledge to bear as they recapped each first season episode of Amazon’s new WoT TV series. Now they’re doing it again for season two—along with insights, jokes, and the occasional wild theory. These recaps won’t cover every element of every episode, but they will contain major spoilers for the show and the book series. We’re going to do our best to not spoil major future events from the books, but there’s always the danger that something might slip out. If you want to stay completely unspoiled and haven’t read the books, these recaps aren’t for you.
New episodes of The Wheel of Time season two will be posted for Amazon Prime subscribers every Friday. This write-up covers episode seven, which was released on September 29.
But before we get to any of that, we have to talk about the opening for at least just a moment. Last season, we got to see Rand’s birth on the slopes of Dragonmount as the Aiel War stumbled to a close, but now we’re given a peek into the other important event that happened at the same time: the Aes Sedai Gitara Moroso (Hayley Mills) and her “Foretelling.”
Foretelling is apparently a rare talent that does not show up in Aes Sedai very often, and Gitara Sedai was apparently one of the strongest at it—or at least one of the most accurate. Proving that prophecy often comes at the most inconvenient of times, we’re shown a flashback where a much younger Moiraine and Siuan enter Gitara’s rooms in the White Tower, and Gitara almost immediately collapses under the weight of her vision of the Dragon’s return to the world. The Aes Sedai seems to feel what Rand’s mother is feeling during her battle, and we’re led to believe that both Gitara Sedai and Rand’s mother expire at the same time.
We know from the books that this is the moment that kick-starts Moiraine’s and Siuan’s secret-squirrel club—the reason why they’re actively hunting the Dragon Reborn. The inconvenient bit, of course, is that no one else was there—no one else witnessed Gitara’s Foretelling. Would certainly have been nicer if she’d collapsed in the middle of the Hall of the Tower with more witnesses, but so goes history, I guess.
If there’s one thing that is kind of bugging me about this episode it’s that we have a lot of characters just asking for or accepting help or counsel from various Forsaken, especially Lanfear. You definitely do get little snippets of this kind of thing in the books, as different Forsaken plotted against each other, but both Lanfear and Ishamael have an awful lot of our protagonists directly under their control and/or in their debt, and I’m beginning to wonder why they aren’t killing more heroes when they get the chance.
Which I think is kind of doing the supposedly legendary status of the Forsaken no favors. Near the end of the episode, when Lanfear walks into the courtyard with Moiraine and Siuan and friends, no one freaks out at an actual living non-bound member of the Forsaken strolling into the courtyard—Moiraine is just like, “Oh damn, it’s Lanfear.” My impression is that Lanfear walking up into your meeting, even if you’re a supposedly all-powerful Aes Sedai, would be like actual-for-real Jason Voorhees unexpectedly shambling through the door to your house. The correct reaction is some kind of mix of “Oh my God wait Jason is real?!” and Scooby Doo-style cartoon panic-running in multiple directions simultaneously. Possibly with some pants-wetting tossed into the mix for good measure.
I also kind of want to talk about whatever the hell it is that Ishy was doing with Mat. I was kind of left feeling clueless by the scene with the tea, but my wife has kind of a theory.
The Mat storyline continues to flail about a bit. The show has to do a lot to make interior character development happen in ways that are visible onscreen, and to translate things that a character thinks and feels into things that the character can show. Mat is probably the character it’s hardest to do this with, because his “superpower” doesn’t involve slinging fireballs or communicating with wolves.
So are we just taking a weird roundabout path to Book-Mat, who has the memories of 1,000 years’ worth of wars and battles in his head, or is the show still off doing its own thing? It’s hard to tell based on the brief, trippy sequence that Ishamael treats Mat to this week, though if I had to guess I’d think that what Ishamael tells him about “seeing the people who you used to be” means we’re working in that direction.
My wife’s quick-n-dirty theory is that the tea was just a sleeping brew, and that the sequence was actually Ishamael screwing with Mat in the World of Dreams. I’d class that as a definite “maybe”—the thing that keeps me from fully agreeing with it is I just don’t see what the scene is for, whether it’s Magic Spirit Journey Tea or just plain sleeping tea and the Magic Spirit Journey is in Tel’Aran’Rhiod.
Okay, I’ve got like… paragraphs to drop in here about Moiraine, but only if you’re ready to turn to her, and to the resolution of one of this season’s biggest mysteries.
In the show, it turns out that there’s no difference! Being shielded feels more like being stilled, in that you feel totally cut off from the One Power. We can’t have learned this fact any earlier than we do, I suppose, because it would take what little tension there was out of the season-long “what’s going on with Moiraine” mystery.
It’s been kind of a mystery why Moiraine herself hasn’t done some more extensive troubleshooting to find the extent of her issue. When a certain set of characters (to remain nameless, to spare non-book readers) eventually figures out how to remove the Aes Sedai Three Oaths in a future book, one of the VERY FIRST things those temporarily-oathless characters do is start lying and giggling—because, let’s face it, being able to say “THE SKY IS GREEN!” for the first time in years is probably pretty exhilarating. Why wouldn’t Moiraine have simply started busting out with the lies, if for nothing else than to test whether or not she’s TRULY stilled?
There are two answers that I can think of. The first is the more in-universe one: few Aes Sedai have ever bothered studying the effects of being stilled. Stilling is simply too viscerally horrifying to confront, even for the knowledge-minded Browns. Stilled women tend to leave the White Tower so as not to be surrounded by reminders of their past and are thought to quickly die (as Lan makes evident when he asks Moiraine if she thought about ending her own life in the past few months). There are simply no records of what happens, other than that the women who DO survive the process tend to do so by thoroughly occupying themselves with important tasks that take the place of the One Power in their lives. Moiraine might simply have not known that stilling unbinds the Oaths, and having lived her life by them for decades, kept up the habits of living by them purely because she doesn’t know any other way to be.
(Though, I guess the REAL answer is even more obvious: “Son, the reason the good cowboys don’t just shoot the bad cowboys’ horses is that if they did, there’d be no movie.”)
This show has no time to waste, and several of our heroes (particularly Mat, also Perrin a little) have been mostly sidelined all season so that this whole Moiraine/House Damodred arc could play out, and maybe it pays dividends, but we’re headed toward a climactic confrontation in an entirely different location for our next episode. The stilling subplot is entirely an invention of the show’s. The conflict it introduces between Moiraine/Lan and Moiraine/Siuan is an invention of the show’s. Unlike most of the changes and additions the show has made, I’m still not exactly sure what the point of it was.
Compare that to another change from the end of last season—Rand faking his death and going off on his own into the wilderness, to protect his friends from who and what he is. It’s another big change from the books! But it’s certainly in character, and in that isolated state he’s more susceptible to Lanfear’s overtures. I get why they did it that way. The Moiraine thing isn’t as easy for me to read. This show definitely doesn’t have a “there wouldn’t be any movie if X contrivance didn’t exist” problem! There is plenty of story to get through without introducing extra obstacles.
And why did they do it? So that Logain can teach Rand a few things, which has happened, and also so that Logain can do exactly what he did and tell someone that he sees Moiraine surrounded by weaves. That particular Chekov’s gun has now been fired.
Why couldn’t Rand see the weaves around Moiraine earlier? Horses, movie, etc, I suppose. It’s not how I would have done it, at least.
But! On the positive side of things, we actually get a scene that I think every single reader has been waiting for—Lan gives Rand a crash course on how to appear confident before the Amyrlin, and Rand then takes that knowledge and makes a good showing in front of Siuan.
So far the show has been way less into gender essentialism than the books are, but we get a hint of it from Lan here: a man accepts his fate and faces it on his feet. And he does face down the Amyrlin, and if Siuan is impressed by his assuredness, she is not impressed by how little he knows and by how weak his nascent channeling abilities are. In this sequence, the show makes some tweaks that quickly and smartly plant seeds of Rand’s all-consuming savior complex and his strong distrust of the White Tower and most Aes Sedai.
Siuan decides Rand needs to be caged in the White Tower after all, but at this point Moiraine’s Dragon Reborn Circle of Trust has extended to Alanna and Verin and their Warders, who all conspire to help Rand escape with Moiraine and Lan. He’s got to go to Falme, because the prophecies say it’s where the Dragon will be introduced to the world. (My book memory of this is that the sky-battle just kind of happens and people find prophecies that fit the facts later; usually when characters try to fulfill or not fulfill a specific prophecy in the books they end up doing a whole bunch of other things by accident.)
This city also happens to be the one that Perrin and Aviendha have headed toward, the one where Mat has been whisked to, and the one where Egwene and Nynaeve and Elayne have all been for a few episodes now.
It’s a big moment in the show, since it’s the first real indication that the Seanchan are actually vulnerable in any meaningful way—their weapons can be used against them! But we lack the extra context—so far, at least—that the books are able to provide when the event happens. After all, an a’dam only works as a leash on a woman who can channel. So why does it work on a sul’dam?
Needless to say, there are potential implications for, oh, the entirety of Seanchan society—implications we’ll likely learn more about next week during the finale. (And if not, look to season three!)
The last bit I’d love to talk about is Perrin and Aviendha, who are also converging on Falme with fan-favorites Bain and Chiad in tow. I was a little confused about the geography—for a minute, it looked like the scene was starting off in the Aiel Waste (as evidenced by the Vince Gilligan-esque yellow color grading), but apparently there’s a desert surrounding Toman Head and Falme?
We get a little more Aiel world-building in this episode, further explaining elements of the ji’e’toh honor system to Perrin (who is mostly here as a spectator this week, sorry Perrin). You can incur toh (obligation) for all kinds of reasons, and it can be fulfilled in all kinds of ways, too. In the book it usually just meant doing weird chores, though in the show Aviendha’s friends just end up beating the tar out of her until they feel better. Physical punishment is sometimes used in the books (Jordan loved spankings), but I don’t recall a scene where anyone is just whaled on until they can’t stand up.
There’s not much else to say about the scene because there’s not much to it; Aviendha explains ji’e’toh to Perrin as they walk through an aggressively day-for-night-filmed desert, and they arrive at Falme in time for our grand reunion/confrontation.
There are a few things unsettled, though—what about that Horn of Valere? The thing that all those hunters have been getting branded for in earlier episodes? And—and lots of other things I can’t really articulate because of potential spoilers!
https://arstechnica.com/?p=1971814
Andrew Cunningham and Lee Hutchinson have spent decades of their lives with Robert Jordan and Brandon Sanderson’s Wheel of Time books, and they previously brought that knowledge to bear as they recapped each first season episode of Amazon’s new WoT TV series. Now they’re doing it again for season two—along with insights, jokes, and the occasional wild theory. These recaps won’t cover every element of every episode, but they will contain major spoilers for the show and the book series. We’re going to do our best to not spoil major future events from the books, but there’s always the danger that something might slip out. If you want to stay completely unspoiled and haven’t read the books, these recaps aren’t for you.
New episodes of The Wheel of Time season two will be posted for Amazon Prime subscribers every Friday. This write-up covers episode six, which was released on September 22.
The Seanchan believe that channelers are too dangerous to be left to their own devices. They’re captured and leashed and generally treated as beloved pets at best or monsters at worst. Egwene’s capture and torment in the books is a cornerstone of her character, and this episode is tough to watch in places. It’s also one of the first times that the show’s version of events is clearly more effective and impactful for me than the version in the books—the benefit of doing things in a visual medium.
Egwene spends the episode trapped in a cell—in “the kennels,” as they’re called—learning about all the quirks and features of the Seanchan a’dam. It would be fascinating if it weren’t so gruesome and awful. The a’dam’s creator (an Aes Sedai, though we hear much more about her in the books) seems to have put considerable effort into thinking of all the potential ways a damane might fight back and then programmed around them. The a’dam can’t be removed by the damane. The damane cannot touch the wristband control leash, even if it’s not being held by anyone. The device even prevents the damane from touching other objects that the damane perceives to be weapons—which is just downright insidious, because it turns new damane into active participants in their own breaking. Egwene cannot even pick up a water pitcher to drink, because she can’t stop thinking about smashing the sul’dam’s head with it. She only gets to drink water after she has convinced herself that she won’t attack the Seanchan.
It’s rough. It’s really rough. In between the put on the glasses pour the water scenes, we get to see Egwene convulsing repeatedly as she fights with the a’dam—so much so that she ruptures blood vessels in both eyes. And this takes up about half the episode.
As you point out, though, this is an absolute cornerstone of Egwene’s character. It’s the honing that will shape her into—well, into what she eventually becomes. (It’s not a spoiler, I don’t think, to say that the POV characters of an epic fantasy series all have Important Destinies™ laid on them, and Egwene wouldn’t be able to inhabit the role—roles, even—she ends up having to inhabit without this shaping.)
Moving on to other characters, we get a good bit of Mat and Min for the first time in a couple of episodes. Show-Min has made a deal with the devil (one of them, anyway) to bring Mat back into Rand’s orbit, because Min has had a vision that Mat will kill Rand, and Ishamael has a vested interest in Rand being dead. Mat and Rand meet and have a genuinely touching reunion here, and I’ll say I also think the show is handling their relationship a bit better than the books here. Book-Mat, especially at this stage in the story before we had ever entered his perspective, is honestly just kind of a dick?
Maybe it’s because he picked up a dagger that makes him permanently suspicious of everyone around him, but his response to finding out what is going on with Rand is not to help him but to be a distant jerk. Of all the things not to like about the books, you almost never get a good sense of Rand and Mat and Perrin as actual friends rather than People Whose Fates Are Intertwined By Destiny. We’re told that they’re friends. Their actions usually imply some degree of loyalty to one another. But very rarely do you just get to see two dudes have a hug and a beer because they’re genuinely happy to see one another.
I want to spend a moment on Rand and Logain, too—if for nothing else than to call out the first on-screen image of someone playing “stones,” the in-universe name for what we’d recognize as Go. Stones is a game played in Randland by intellectuals and generals, and it’s a given that if you see a character playing stones, that character is supposed to be super smart and brilliant and possibly an authorial self-insert. (“Take a shot every time someone is playing stones” is almost as popular a casual WoT drinking game as “Take a shot every time Nynaeve tugs her braid” or—my personal favorite—”Take a shot every time someone says something about the Dark One’s taint.”)
Logain is once again brought in to teach Rand—but really, to teach us—how channeling works for men. (I hope we still get you-know-who teaching Rand later, but Logain is definitely stepping into that other fellow’s shoes here.) In a nice little compact scene, the false Dragon manages to teach the true Dragon three important facts about the One Power: women “surrender” to saidar, but men “seize” saidin; if you take too much in, you’ll burn yourself out; and that Rand is incredibly powerful, capable of doing “anything” and fighting “anyone.”
Upon releasing the source, Rand then learns a bonus #4 fact: the Dark One’s corruption suffuses saidin. The book makes it sound like channeling the corrupted male half of the power is sort of like railing ultra-heroin while simultaneously chugging down raw sewage, and when Rand releases the source, he also releases his lunch. Ew.
The show’s treatment of what happens to channelers after they can no longer channel is still pretty inconsistent with the books; former channelers in the books are no more capable of seeing weaves or teaching a channeler than a non-channeler would be, but Logain is still fully aware of what Rand is doing and what he can do.
On that topic, let’s talk about something I am less enthusiastic about: we’re at episode six, and I’m still not really sure where Moiraine or Lan’s plotlines are going, and the decision to take Moiraine’s channeling ability away and have her spend half the season sniping with her sister in their big stuffy house just feels like it was done so both Moiraine and Lan could mark time while things happened to the other characters. Maybe something stunningly explosive will come from it, and I am glad to see that Siuan Sanche is back in the action, but give me “scenes of Rand bargaining with Lanfear in the dream world” or “scenes of Nynaeve and Elayne trying to save their friend while doing some true-to-the-book bickering” over “scenes of a woman trying to write a letter while her nephew gives her a sandwich.”
Yeah, I agree that parts of the season feel kind of interminable, in spite of how bloody short it is. I too could have done with maybe a bit less Moiraine-arguing-with-her-sister and also a bit less of whatever the hell it is Lan has been doing with Alanna and the Funky Bunch, but I’ve been pretty happy with the World of Dreams bits.
Speaking of: I want to ask a question that my wife and I both feel pretty unified on, and I’ll give you my answer after I hear yours, but: when Lanfear banished Ishamael from Rand’s dreams, was she really banishing him? Because it seems much more Lanfear-like for that entire bit to have simply been Lanfear conjuring and then de-conjuring an imaginary Dream Ishy. It seems like the kind of thing she’d do.
Look at scenes early in the episode where Ishamael is communicating with Min in her dreams. Occasionally he “freezes,” like you would on a Zoom call where Your Internet Connection Is Unstable. In the scene where he’s tormenting Rand before Lanfear sends him away, he’s doing the same thing. The visions Rand is getting from Ishamael occasionally freeze-and-jump in the same kind of way, something I thought was just a way to creep out the viewer until you made me start thinking about it.
But Lanfear, someone known for her mastery of the World of Dreams, doesn’t move like this. I think the show is trying to use this to communicate that Ishamael can operate in the world of dreams, but he’s not particularly adept at controlling it, and he can easily be booted by someone more talented than he is.
It does seem Lanfear-ish to try to earn Rand’s trust this way, by constructing a scenario that makes her seem more trustworthy. But remember, book-Lanfear is the one who hooked Rand up with his book-channeling teacher. She’s got her own motivations and delusions of grandeur, and the Forsaken often work at cross-purposes.
One way or another, though, Rand just can’t catch a break. He finds Mat again, but rather than leaving town with Rand to escape, he chooses to heed Min’s warning and stay away. Rand then decides to depart Cairhien on his own but gets stopped by Lan and Alanna. What are they going to do with him?
Our answer lies in the arrival of the Amyrlin Seat and fourteen other Aes Sedai (including several familiar faces, like Liandrin and Verin). A similar situation plays out in the novel—Rand delays leaving Shienar for too long and gets stuck having to talk to the Amyrlin, recently arrived in the Borderlands with her retinue. Here, it looks like Rand delayed leaving Cairhien for too long and is stuck having to do the exact same thing. The Amyrlin and Moraine are old schemers when it comes to the subject of the Dragon Reborn, so the plots are all twisting back together. (As they should, since next week is the season’s penultimate episode.)
It certainly seems like most of our heroes are converging on Cairhien, before what I’m assuming will be a cataclysmic season-ending confrontation in Falme.
That’s where Nynaeve and Elayne are still camped out, trying to figure out how to free Egwene and any of the other Aes Sedai-affiliated channelers who have been captured by the Seanchan. Nynaeve and Elayne are very true to their book-selves here as “powerful women who respect each other but would basically never hang out if they weren’t both friends with the same person.” Right now, it’s on them to free Egwene and expose Liandrin, who just happens to be part of the Amyrlin’s posse in Cairhien.
It does seem like the show is going to be less patient than the books about resolving Nynaeve’s “block,” where she can only channel under specific emotionally heightened circumstances. Leave it to Ryma (Nyokabi Gethaiga), a member of the healing-focused Yellow Ajah, to break it down in terms Nynaeve can understand: when someone is hurt, you don’t decide to help them, you just help them.
Your description of playing Tetris with the plots is also spot on—that feels exactly like what’s happening. I like some of it, and I don’t like some of it, but I don’t think I’d be able to do any better as a writer if faced with the same length and episode count constraints as the show is having to operate under. If there is a villain here, it’s not really the Seanchan, or the Forsaken, or even the Dark One himself—it’s whatever bean counters in the programming department decided on those constraints. (There is an obvious “a’dam around the neck of the show” metaphor that I could draw here, but I won’t. Though I guess I just did.) Regardless, we’re reviewing the show we’ve been given to work with, rather than the longer show we perhaps wish we had.
I have one additional note from my wife that I need to read into the record: “Ingtar has better smoky eye than Lanfear and Egwene’s sul’dam put together.” No argument from me there.
Anything else from your notebook, Andrew, or have we reached the end for this week?
We’ll see you back here next Friday. Until then, may you all find water and shade.
https://arstechnica.com/?p=1970407
Andrew Cunningham and Lee Hutchinson have spent decades of their lives with Robert Jordan and Brandon Sanderson’s Wheel of Time books, and they previously brought that knowledge to bear as they recapped each first season episode of Amazon’s new WoT TV series. Now they’re doing it again for season two—along with insights, jokes, and the occasional wild theory. These recaps won’t cover every element of every episode, but they will contain major spoilers for the show and the book series. We’re going to do our best to not spoil major future events from the books, but there’s always the danger that something might slip out. If you want to stay completely unspoiled and haven’t read the books, these recaps aren’t for you.
New episodes of The Wheel of Time season two will be posted for Amazon Prime subscribers every Friday. This write-up covers episode five, which was released on September 15.
We open on the Seanchan doing what they do—making imperious statements and talking about conquering things. And, hey, for anyone wondering when the Horn of Valere was actually going to turn up on screen, here it is, hand-delivered by Padan Fain (with the requisite bit of whistling). I liked the scene, I like the Seanchan in the show, and I thought it was a solid opening. It was also kind of fun to see Shienaran Lord Ingtar (Gregg Chilingirian) in eyeshadow and da’covale robes, which are nowhere near as sheer on-screen as they are in the books.
The invaders from across the sea have their own look, their own accents, and their own theme music (which as near as I can tell includes a choir singing “DA-MA-NE!” over and over again). They’re not just creepy and formidable—they’re almost alien, which I suppose is the intention. How are they working for you so far?
The Seanchan are more or less successfully fulfilling their Book Role, which is to be weird, obviously alien invaders who immediately threaten, like, half of our main characters by capturing and enslaving women who can channel. One thing that is a lot different in the show, though, is that it’s much clearer much earlier that the Forsaken are pulling some of their strings. The books would show you someone was a Darkfriend by sneaking in a one-line reference in some kind of short epilogue POV section. In the show, these people show up and you just kind of see the show’s main villain chilling with them on a palanquin.
Again, how scannable is this for non-book readers who don’t necessarily know that the Seanchan are their own unique society and that they aren’t always working with the Forsaken? I don’t know! But it’s just another thing the show is doing to give the story’s villains more depth (and maybe, hopefully, to cut down on some of the constant double-crossing and who-can-we-trust intrigue that bogs down the middle books).
Given that both Game of Thrones and Wheel of Time shot in Morocco, some location reuse was probably inevitable, but this one is particularly on the nose. Still, whether it was intended to be overtly obvious or not, I dig it. It definitely works, and also, now we know that Falme looks like Morocco!
OK, so—you’re absolutely right that the show has drop-kicked the plot way ahead with the way events are landing. There are several specific things I want to talk about, and the first one is the Forsaken. We’re given more of a window into who and what they are in this episode—along with the understanding that alliances between different members of the Forsaken are somewhat, shall we say, ephemeral. But the thing that jumped out most was the mention by Lanfear about the rest of the Forsaken—and how many there may or may not be.
Specifically, she mentions Moghedien, Graendal, and “the boys,” and paints them all as incompetent. I can’t remember if season one gave us the details on exactly how many of the Forsaken there are, but the show might have just told us that there are only six or seven—obviously less than the 13 named in the books. And if that is indeed what’s happening, I don’t necessarily think this is a bad thing, given how much of the series is taken up by Rand chasing after and collecting all the different Forsaken like Pokemon.
Lots of the 13 Forsaken were already sort of interchangeable as plot drivers and existed mostly to be melted by Rand and his pals in end-of-book battles. And the way the show is removing, combining, and repurposing characters definitely makes it seem like it could be planning to cut some of the other less-interchangeable figures out. (For example, is there a story need for Asmodean in the show universe? Maybe not, based on some of the changes!) We’ve already seen the show jettison the idea that the Forsaken need to be totally reincarnated as all-new people by the Dark One; in general the idea seems to be to have fewer villains who are better-drawn, and that’s probably smart.
Speaking of “book concepts that take about 15 hours to fully explain,” I do like how this episode introduces us to the dream world of Tel’aran’rhiod by way of Lanfear, who is waiting for a fleeing Rand and Moiraine to fall asleep so she can track them down and Get Them. This dreamy stuff is a major element of the books, important to the story arcs of several major characters. I’m not sure how the show is going to employ it, but it seems like it’s not getting cut.
And among all the Forsaken, Lanfear was supposed to be the most skilled within the World of Dreams (something that some of the other Forsaken take issue with, if I remember right). She shows off a bit of that skill in her cheeky meeting with Ishamael, and we see perhaps a bit more when she zaps Rand into her own little desert BDSM fantasy at the very end. Remember, Rand: there is no safe-word in the World of Dreams.
We’ll no doubt be spending a lot of time there, given how central Tel’aran’rhiod is to—well, to several characters (no spoilers from us about that yet—that’ll likely be a season three or four thing), and it’s great to know that it’s not being cut. I have some hope that Asmodean also makes it, though as you say, he may not be necessary. We shall hopefully know more soon!
Changing tack slightly, there are two things I wanted to bring up about Randlandian politics again, and I promise not to spend too much time here. First, interestingly, we learn a bit more about Cairhien—it does in fact have a queen, named Galldrian, and Moiraine’s nephew Barthanes Damodred is marrying her. This plus Moiraine’s decision to delay draws a pretty straight line for Rand to get involved in the shuffle for the Cairhienin throne. Book readers might be scratching their heads at this particular set of choices, given that in the books Galldrian was a king who is dead before the series starts and Barthanes is—well, Barthanes is and does some spoiler-y things. I am hoping that they keep his most spoiler-y aspects intact.
There were at least a couple of extended sequences in season one that were just Moiraine and one or more characters on horseback, listening attentively while Moiraine delivered some worldbuilding info-dump. If you wanted to do a totally faithful rendering of every single little kingdom in Randland, you’d probably need a bunch more scenes like that. “OK, so this one is Cairhien, and they love politics, and 20 years ago their king cut down a tree…” and on and on.
Attentive viewers will recognize little hints here and there in the dialogue that imply that at least some of this history remains intact—as it needs to, so that other Important Plot Things can happen later. But this show already has the Seanchan to set up, and the Aiel to set up (more on that in a minute), and probably a few other societies and subcultures besides. I think the subtle-ish difference between groups of minor nobles in Andor, Cairhien, Tear, and elsewhere are all just going to get flattened for expediency’s sake. That will mostly be to the show’s benefit, though here we are missing out on a kind of fun book sequence where a bunch of Cairhienin nobles assume Rand is a noble because they see him wearing a nice coat, he accidentally ignores them, and they work themselves up into a lather about him because only a very important noble would dare to ignore them.
All right, Aiel time, because in an episode filled with important stuff, Perrin meeting Aviendha is one of the most important. We’re re-using the whole “Aiel in a cage” bit that we only obliquely got to in season one, and we’re mixing together a few different book bits, but the encounter came off satisfying to me. Aviendha dons a black veil and invites Perrin dancing—something she obviously excels at, being a Maiden of the Spear. Without revealing yet to show-watchers why she’s important (you’ll all find out soon enough!), it’s nice to have one of the last of our main characters slotting into place.
Though I’d feel better if Thom Merrilin would show back up. His single appearance in season one was absolutely arresting. Perhaps we’ll find him somewhere in Cairhien with Rand.
I believe the “Perrin frees an Aiel from a cage and befriends them” thing is pulled back from The Dragon Reborn, the third book in the series, and the first where Rand really fades into the background so that we can get closer to some other POV characters (show-Perrin also briefly meets Dain Bornhald, another Whitecloak character who will become more important later). In the book, the Aiel that Perrin frees is a totally different person. But what’s similar is that this encounter opens us up to learn more about Aiel society—they live in a desert, they’re good at fighting, and they maintain a Klingon-esque understanding of honor and obligation (ji’e’toh, another of Robert Jordan’s many heavily apostrophe’d creations) that we get a small glimpse of here.
Aviendha is immediately charming in her deadly way, and I am in serious danger of shipping her and Perrin the same way I am currently shipping Mat and Min. My ships are going to wreck the entire storyline.
Which, speaking of—Elayne got a chance to basically do just that when she and Nynaeve ended up in Falme, after escaping from Liandrin and the Seanchan. I thought the Liandrin bits here were great, and I continue to love that they’re actually allowing her character to be something other than just, like, vaguely misandrist and evil. Now she’s got angst, and everybody knows that angst is the emotional equivalent of MSG—it makes everything more interesting.
Nynaeve and Elayne manage to escape, but Egwene is captured by the Seanchan and stuck in one of their channeler-controlling collars (an a’dam, there’s that apostrophe again). In the books these are described as a one-piece collar-and-leash combo, highlighting how dehumanizing it is. You still get the collar in the show, but once it’s on, it morphs into a little breastplate thing that a chain is then attached to. I guess to make it more visually obvious when someone is wearing an a’dam? Though I know you wanted to talk more about the aesthetics of the show’s damane (what the Seanchan call channelers they have collared, and where the episode’s title comes from).
The linked nature of the sul’dam (“leash holder” in the Old Tongue) and their damane is neatly demonstrated with the simultaneous call/response thing they do when channeling. My recollection is that the things utilize kind of a twisted version of the Aes Sedai/Warder bond to—well, to do all kinds of things, as poor Egwene is about to find out.
And, then, to finish up with our wayward White Tower trainees for the week, Nynaeve and Elayne escape into the city of Falme, seeking sanctuary in a place where there’s not much to be had. And are they safe with the Aes Sedai and Warder who snatch them up? Ishy had a very peculiar response when Lanfear asked him about “the girls”—he notes that he has “just collected” them, and that “one craves power and the other fears it.”
Mentioning two instead of three—or one—is odd. Does that mean that he’s just collected Nynaeve and Elayne in Falme and that the Aes Sedai sitting on them is Black Ajah? Or am I misinterpreting?
To close: still sort of frustrated by what an eight-episode season does to pacing, but still digging the show a lot. Aviendha is great. I know or suspect a lot of what is going on based on my book knowledge, but the show has changed enough to keep me guessing. Bring on the next one!
Courage to strengthen, fire to blind, spoilers to dazzle, iron to bind. We’ll catch you all next week!
https://arstechnica.com/?p=1968375
Andrew Cunningham and Lee Hutchinson have spent decades of their lives with Robert Jordan and Brandon Sanderson’s Wheel of Time books, and they previously brought that knowledge to bear as they recapped each first season episode of Amazon’s new WoT TV series. Now they’re doing it again for season two—along with insights, jokes, and the occasional wild theory. These recaps won’t cover every element of every episode, but they will contain major spoilers for the show and the book series. We’re going to do our best to not spoil major future events from the books, but there’s always the danger that something might slip out. If you want to stay completely unspoiled and haven’t read the books, these recaps aren’t for you.
New episodes of The Wheel of Time season two will be posted for Amazon Prime subscribers every Friday. This write-up covers episode four, which was released on September 7.
I am trying to separate whether the show is “different” (which it unquestionably is) from whether it’s objectively fun/enjoyable (which it seems to be for more people than I was expecting).
The IRL book readers I’ve talked to have all brought up the substantial-and-growing deviations the show is making from the books, but I don’t know anyone who’s angry about it. I know this is difficult ground to tread, and everyone’s going to have very strong feelings here, but at least for me, I believe that you’re taking the right tack. I think we can call it objectively fun and enjoyable—at least as much as anything can be said to objectively contain those qualities. I’m rolling with the idea that this is a different turning of the Wheel.
Speaking of fun and enjoyable: crazily enough, even though things just started, at the close of this episode we are at the halfway point of the eight-episode season. I definitely want to get to those specifics you mentioned, but I feel like it’s worth bringing up again just how much that episode count must be contributing to the narrative re-swizzling. Do you think there’s any chance that future seasons will be, ya know, an episode or two longer?
But, just to put a point on this, so far I don’t think “different” means “bad,” and this can be different without erasing the existence of the books. I’m honestly pretty into the show at this point, and one of the things I like most is teasing apart the differences and thinking about why the show has made the changes it has.
All of this brings us around to the episode proper, because of all the plotlines the show is currently juggling, only the Egwene/Nynaeve/Elayne plot is really proceeding more or less the way it does in the books. With this episode I can kind of see the show pointing everyone toward the end of Book Two but the paths they’re taking to get there have been wildly divergent.
And wait—I had one more overall big thing I wanted to bring up. It’s a very Jordan-esque thing. I want, just for a moment, to talk about the politics of Randland.
(For non-book readers, the continent on which The Wheel of Time takes place is never really given a specific name. We know a bit about Shara, the mysterious lands to the east past the Aiel Waste; and we know a bit about Seanchan, the name of the continent to the west where the current set of insect-helmed invaders are coming from; but we never really learn if the densely-populated mess of city-states and countries where the majority of WoT happens has its own name. Book readers over the years came to simply refer to the home continent as “Randland,” and I’m going to follow that convention.)
When Moiraine is visiting her sister Anvaere Damodred (Lindsay Duncan), we learn from the dialogue that Anvaere’s son is marrying “the Queen”—which made me pause. In the books, Cairhien has no queen—Cairhien is currently bereft of a ruler. And the last ruler Cairhien did have was a king, still smarting from the fallout around Cairhien’s starring role in the Aiel War. So who is Moiraine’s sister’s kid marrying? Are we talking about the Queen of Andor—Elayne’s mom?
Honestly, the thing I expect the show to lose the most of is the plodding, overstuffed political intrigue that grinds the series to a halt in its middle books. If we never, ever, ever get a hint of a story about the Andoran accession process, I won’t shed a tear.
Speaking of moving, this episode isn’t quite as meaty as the first three plot-wise because a whole lot of it is about characters either moving around the map or learning new information that will propel them forward; Min and Mat set off from Tar Valon, Perrin learns more about his whole Wolf Deal from Elyas in the woods, Nynaeve recuperates after her ordeal during her Accepted test and seemingly bonds with Liandrin (who is being given extra shading and pathos in this adaptation but is simultaneously clearly in league with Bad People), and Egwene/Nynaeve/Elayne are set to leave the White Tower in pursuit of their Two Rivers friends.
We’ll get to Rand/Selene and Moiraine and Lan soon, because there’s a lot to unpack there. But of these plots the most book-divergent and interesting one to me is Min trying to get rid of her future-vision, and being set up by Liandrin to come face-to-face with Ishamael, our Big Bad. It’s not something that book-Min ever tried to do, and it has the potential to complicate all kinds of relationships later on. Anything else that stood out to you?
Mat and Min were excellent in their brief bit of screen time in this episode, but yes—that scene existed to give us Min confronting Ishamael. We get to watch her dawning horror as she realizes that she hadn’t fully understood the shape of the deal she was signing up for—yes, she wants to get rid of her visions, but nobody said anything about bargaining with the strongest and most dreaded member of the Forsaken.
Still, I get the impression she’s going to continue along the path Ishamael wants her on, and that she’ll bring Mat to Cairhien. Considering Ishy reached directly into her dreams and met with her that way, it’s not like running would do any good.
All right, we’ve danced around it long enough. Let’s tackle one of the big ones: Moiraine and Lan. I honestly cannot tell what the show wants us to think about their connection at this point. I think Moiraine is shielded, not severed, but I don’t know if we’re supposed to believe that Lan’s bond has been severed, or if it’s still there but masked. I know how the books go, of course, but we’re way off script with how this is being presented and that knowledge may not apply. The dialog between Alanna’s blonde warder Maksim (Taylor Napier) and Lan is annoyingly ambiguous. What do you think is actually going on?
The show has muddied this. Whether Moiraine has been temporarily shielded from the One Power or cut off from it entirely isn’t clear, but she just dismisses Lan with a curt “our bond is broken” early in the season and they go their separate ways (for Moiraine’s part, this scene had big Harry and the Hendersons energy). But then Alanna’s Warder describes “masking” like it’s a secret thing that not everyone knows how to do, and that Moiraine might just be doing that instead of cutting Lan out of her life entirely? I honestly am not even sure I’m explaining it properly. I think the point is “maybe Moiraine didn’t get rid of Lan forever after all!” but it’s hard to say, it’s very hand-wavy.
I hesitate to criticize the show too much on this front because for the first three books especially, Moiraine and Lan are mostly inseparable enigmas, whose POVs we enter infrequently-if-ever and whose reasoning and motivation are rarely explained. But that’s boring TV. The show’s first season, especially, was centered on Moiraine instead of Rand, so the show felt the need to introduce some emotional arcs and complications in their relationship. At least, I think that’s what’s going on. Of all the stuff the show is doing, this manufactured conflict between Moiraine and Lan is the change I like the least.
Definitely agree on the changed Moiraine/Lan dynamic. It also bugged me a bit that Lan seemed so flummoxed about Moiraine not thinking of him as an equal. Book-Lan seems to be very much cognizant of his role in their relationship, and I feel like Book-Lan’s kingship and diverted destiny is brought up a lot more on the page than it has been on the screen (take a shot every time the phrase “Diademed Battle-Lord of the Malkieri” floats out of Jordan’s word processor and assaults your eyes and you’ll die of alcohol poisoning), and that even the older, darker, wiser, and prouder Lan of the books has made peace with the idea that he will never be more than a tool for Moiraine. (A favorite tool, and one not to be ill-used, but a tool nonetheless.)
The show is dangling the plot thread of “Where will Lan end up?!” in front of us—will he be bonded to Alanna as her third, or will Nynaeve end up snagging him? This same question plays out in the books in a very different place and in a very different way—though if you kind of squint, I think the fog shrouding the path that the showrunners are laying for us is beginning to clear a bit. And, like in the books, it’s possible the resolution is tied in with Selene.
So, let’s talk about the Daughter of the Night, shall we?
But yes it turns out that the beautiful and wise stranger who Rand has been staying with in his pseudo-exile is none other than Lanfear, probably the second-most powerful of the Forsaken. She’s something of a frenemy to Rand, because he’s the reincarnation of Lews Therin Telamon, the original Dragon, and she thinks she can both win his love again and tempt him over to the dark side. The circumstances of their being together are different (so far the show has been reluctant to wade into the whole World of Dreams thing), but her characterization and role in Rand’s story are pretty spot-on. Gotta say, though, I think Rand should have been more skeptical of a woman who was immediately cool with him channeling, a Super Forbidden Thing that no one is supposed to do. Come on, Rand!
I get it, though. Rand is supposed to be, what, 20-ish here? (I know we’ve gone over this before and the show has aged everyone up over the books, but I can’t recall by how much.) He’s just a kid. Kids make poor decisions. Kids dealing with traumatic stress and literally having the corrupting influence of the Dark One flow through you when you channel can perhaps be forgiven for latching on to someone showing them affection.
Still, Moiraine showed up and kicked the anthill nicely, by planting a sword directly in Lanfear’s torso and then slitting her throat. Which you think would do the job, but apparently not, since Lanfear is clearly still alive after. And there was something else, too—something I didn’t notice on my first watch, because the screeners have a pretty low bitrate, but I caught the second time around. Something about Lanfear’s eyes. Something…spotty. Did you catch it?
Making the Forsaken unkillable Terminators (apparently) is another economical change that I dig; Forsaken can be reincarnated in the books, but usually in a different body (because the Dark One likes to mess around with people). This way you don’t have to cast more people and you don’t need to worry about your audience forgetting who any given character is supposed to be.
I hope that next week’s episode clears up a bit of the ambiguity around the Moiraine-Lan relationship, I hope it becomes clearer why Moiraine’s sister exists, and I hope we see more of Logain, who is still hanging out in a robe in the convalescent home like some kind of half-mad Big Lebowski.
Otherwise I’m still pretty much on board with the story here, though like you said I’m a bit worried about the amount of story they need to jam into the next four episodes. Season one’s ending definitely felt too chaotic and too rushed, hopefully the pacing of this year’s finale ends up feeling more even.
I find myself hoping that we get back to Falme and see the Seanchan some more—they play a significant role in the rest of the story, and I’m looking forward to learning more about how the show presents the characters. Episode 4 was the last in our current chunk of screeners, though, so at least until Amazon gives us some more, we’re just as much in the dark about what’s next as the rest of y’all.
That wraps it for now, folks. Life is a dream from which we all must wake, but we wish you a peaceful slumber until next week!
https://arstechnica.com/?p=1966112
Andrew Cunningham and Lee Hutchinson have spent decades of their lives with Robert Jordan and Brandon Sanderson’s Wheel of Time books, and they previously brought that knowledge to bear as they recapped each first season episode of Amazon’s new WoT TV series. Now they’re doing it again for season two—along with insights, jokes, and the occasional wild theory. These recaps won’t cover every element of every episode, but they will contain major spoilers for the show and the book series. We’re going to do our best to not spoil major future events from the books, but there’s always the danger that something might slip out. If you want to stay completely unspoiled and haven’t read the books, these recaps aren’t for you.
New episodes of The Wheel of Time season two will be posted for Amazon Prime subscribers every Friday. This write-up covers the first three episodes, which were released on September 1.
I say “technically” not to be disparaging but to set expectations: by the standards of, say, Game of Thrones, we are miles away from the events of the book on this one, basically right from the jump.
Like, there is a LOT going on here that isn’t in the books, and honestly, I’m here for it.
The biggest change at, like, a production level is that the original Mat, played by Barney Harris, has been recast. The circumstances of Harris’ departure have never been fully spelled out anywhere that I can find—”something something COVID” is usually the gist—but Harris didn’t even make it to the end of the first season, leaving one of our main characters mostly sidelined for the season’s climax. Mat is now played by Dónal Finn, who can’t grow as good a beard but does manage to capture Mat’s charm and charisma pretty much instantly. He’s stuck in the White Tower with Liandrin (Kate Fleetwood), a vaguely menacing Aes Sedai.
Narratively, the bigger changes are that most people think Rand al’Thor (Josha Stradowski) is dead, and Moiraine (Rosamund Pike) has been cut off from the One Power, following their confrontations with what they believed to be the Dark One at the end of the season. Rand is alone(ish!) in the city of Cairhien, trying to hide from everyone he loves following the revelation that he’s a Man Who Can Channel, Doomed To Madness. Moiraine and Lan (Daniel Henney) are off regrouping with other Aes Sedai, including newcomer Verin (Meera Syal).
For book readers, Rand’s fate might be most jarring: his friends all think he’s dead, and he seems to have moved in with a girlfriend in Cairhien’s Foregate (sort of a shantytown built outside the gates of Cairhien) and gotten himself a job in the local sanitarium, caring for madmen. It seems odd at first, but Rand isn’t just attempting some charity service—he knows that as a man who can touch the True Source and channel the One Power, he’s cursed to inevitably go as mad as the people he’s taking care of.
We find out by the third episode what Rand’s goal truly is, because this is not just any sanitarium—it’s a sanitarium that houses Logain Ablar, former self-proclaimed Dragon Reborn and now a trembling shell of a man suffering from being cut off from the Power. Rand wants Logain to tell him how to get himself out of this channeling mess—how to avoid going mad. Logain, of course, has some bad news for Rand on that front: he tells Rand that he won’t be able to stop channeling, and he won’t be able to avoid madness. Sucks for Rand.
(I also really do appreciate that there are finally characters on screen saying “Cairhien” out loud. I’ve been struggling with that city’s name since 1997.)
Nynaeve’s arc, and one of the strongest arcs across these three episodes, is that Liandrin is pushing her to take the test to become an Accepted, the middle tier in the White Tower hierarchy between novice and full Aes Sedai. Liandrin seems to have an ulterior motive that is only hinted at, but headstrong Nynaeve never met an obstacle that she didn’t think she could bypass by sheer force of will. The deal, basically unchanged from the books, is that you walk through an arch that spits you out into a holodeck where every simulation is out to seriously mess with your head; at some point during this test, the arch reappears within the simulation, and you need to walk back through it, away from whatever is happening. If you don’t go back through, you fail the test (and also you are probably dead).
I don’t want to get too far into the details of these tests because I would like to keep this spoiler-light, but suffice it to say that Nynaeve is still a standout character and Robins is still giving a standout performance. She was one of the better parts of the first season and that continues to be the case here.
In the look-and-feel department, season two feels vastly improved. (I’m sure relaxed COVID restrictions on production played a huge role!) I’d complained multiple times last season about the show’s odd composition, the flat “digital” feel to the shots, the styrofoam sets, and the camera that refused to hold still no matter what the scene; this time around, none of those things are jumping out at me at all. The lighting feels organic and natural. The cinematography feels much more like proper prestige TV (which is to say, it looks like a movie). I don’t know if the problem was me or the production, but whatever it was, it’s fine now!
And I wanted to also make sure to call out the music—though, again, I’m not sure if it’s the production or just me. It feels like there’s a more unified musical “language” being employed in season two. The palette with which the music is painted feels much more focused and consistent. I feel like I’m beginning to know what the music in the show is going to feel like, much like how GoT or Westworld or other shows have their distinct musical language and colors.
Through the first season, the show gradually rose to the level of “this is working better than I expected it to.” The second season, so far, still has a ton of stuff going on, and (personally) I would take a larger number of shorter episodes rather than eight that all seem to run an hour-plus. But I was just straightforwardly enjoying myself with this pretty much the entire time? Which is never a place I got to with season one, or with the Amazon Lord of the Rings show.
Speaking of big exposition dumps, what else do we really need to make sure we address? There’s the onscreen revelation that “the Dark One” from last season was just one of the Dark One’s top guys, a Forsaken by the name of Ishamael who has been fully freed from a weakened prison by Rand and Moiraine. There’s the introduction of Elyas Machera (Gary Beadle), a character from the book (though a composite character in the show) who will be important for Perrin’s (Marcus Rutherford) story. And then there’s the Seanchan, the big baddies from book two who show up for real in the show’s second episode.
I loved watching our Shienaran squad dance the blades with the Seanchan—in fact, heck, every single bit of swordplay we got in these first three episodes was excellent. (My wife’s notes for this watch-through included the phrase, “UNO IS A STONE COLD BADASS,” in all caps). Lan squaring off against the Fades was also excellent, and it shows just how far Rand has to go if he wants to actually be worthy of that heron-mark sword.
There was another really interesting bit my wife caught that I didn’t: There’s a moment in episode three where Egwene channels to stop another character from leaving the room, and Egwene does so without any of the crowd-pleasing gestures that the other Aes Sedai use. We know from the books that channeling has nothing to do with physical movements, but many channelers learn the motions with the weaves and can’t do one without the other. She seems to have learned a valuable lesson from her time tied to a chair in Eamon Valda’s tent.
Two things about being a book reader who didn’t go back and watch the first season before jumping into the second: First, it’s easy to lose track of who has been introduced and who hasn’t, who is a composite character, and who has been invented to elide some of the book’s convoluted plotting. Second, let’s just say that there is a shortage of plot armor for secondary and tertiary characters.
Jordan was known for introducing reams and reams of named characters to help flesh out each of the book’s locations and to give PoV characters someone to talk to once they had been flung to opposite edges of the map. An improbable number of these characters survive right up until the series-ending confrontation at the Last Battle. Bad news, book readers—I can basically guarantee that this show will end up killing one or more of your faves before you’re ready.
I’ll end my own side of this with the observation that so far, with these three episodes, it feels to me like the scenes the show does best are the wholly original ones. I wasn’t super thrilled with how the gathering of evil (referred to by book readers as “the Darkfriend Social”) played out, and the twist to Nynaeve’s Accepted testing and how long that situation draws out compared to the books felt cheap and unnecessary. On the other hand, Min hanging out with Mat in their cells was fun—far more fun than the brief meeting between Min and Rand in the first season. Most of the other places where we’ve swerved from the text—especially Rand talking with Logain in the sanitarium—also felt solidly done. When the show is free to find its own way, it stops being so self-conscious and actually becomes enjoyable.
Maybe that’s just the nature of adapted works. If so, I’m not a book purist—the show needs to stand on its own, just like any other adaptation. Changes are to be expected. It’s a good thing.
https://arstechnica.com/?p=1965179
We saw it before with HBO Max and others, but Disney has now joined the content-cutting party. More than two dozen series and movies will be removed from Disney-owned streaming channels Disney+ and Hulu come May 26.
The list of shows removed notably includes Willow, the single-season TV series follow-up to the beloved 1988 cult-classic fantasy movie directed by Ron Howard. The Willow series premiered in November 2022 but struggled to find an audience.
Other notably cut content includes but is not limited to The World According to Jeff Goldblum, a couple of Marvel-themed documentaries, and several kids programs.
The past year or so has been something of a reckoning for streaming services; it has become clear that the math simply doesn’t add up when it comes to offering vast libraries of content for a small monthly fee, especially as viewership dropped as the COVID-19 pandemic restrictions eased. Word among TV writers pitching new content to streamers is that, for the most part, the massive boom of investment in new programming has slowed in light of broader economic instability.
Streamers like Disney+ have to pay rights-holders and content creators continually in many cases to keep their content on their platforms, but often that content is being viewed by too few people and isn’t driving new subscriptions. As such, these businesses see cuts as obvious ways to save money during turbulent times.
As noted, HBO Max infamously removed Westworld and some other programs recently. Showtime and others have made cuts, too, and Deadline reported recently that future content cuts at Netflix seem likely in a lengthy piece describing the reasons for the cuts and their effects on writers and others in the industry.
Disney CEO Bob Iger revealed the plan to remove shows from the company’s streamers to save money during Disney’s May 10 earnings call, when he noted that Disney expects to pay a content impairment charge of $1.5 billion to $1.8 billion as it removes the shows.
Here is a list of shows that will be removed across Disney+, FX, Nat Geo, and Hulu:
https://arstechnica.com/?p=1940691
Amazon has introduced a new feature to Prime Video called Dialogue Boost. It’s intended to isolate dialogue and make it louder relative to other sounds in streaming videos on the service.
Amazon describes how it works in a blog post:
Dialogue Boost analyzes the original audio in a movie or series and intelligently identifies points where dialogue may be hard to hear above background music and effects. Then, speech patterns are isolated and audio is enhanced to make the dialogue clearer. This AI-based approach delivers a targeted enhancement to portions of spoken dialogue, instead of a general amplification at the center channel in a home theater system.
Not all content will be eligible for the dialogue boost feature, though—at least not yet. Amazon says it “has initially launched on select Amazon Originals worldwide” like The Marvelous Mrs. Maisel and The Big Sick.
While this is partly an accessibility feature for people who are hard of hearing, Amazon is also responding to a widespread complaint among viewers.
A 2022 survey found that 50 percent of 1,260 American viewers “watch content with subtitles most of the time,” many of them citing “muddled audio” and saying that it’s more difficult to understand dialogue in movies and TV shows than it used to be.
There’s no one simple reason for this development. It involves several factors, but many of them could reasonably be categorized under a “fragmented viewer experience” banner.
Decades ago, most TVs or home theater speakers had similar audio capabilities. However, the range of devices used—from built-in speakers in cheap TVs and laptops to high-end Dolby Atmos surround-sound systems with AI-optimized sound fields and everything in between—has grown. Additionally, TV manufacturers introduce a wide variety of proprietary technologies and configurations that they can try to use to differentiate their products in marketing materials, changing the way the same content sounds on nearly every device.
All of that means that professionals who master and encode audio for distribution on streaming networks have their work cut out for them. Some shows prioritize making sure it sounds good for the highest-end setups, but the comparative lack of dynamic range in cheaper speakers can leave owners of lesser systems with muddled audio. But even if a (futile) effort is made to encode the audio for the widest viewership possible, the devices are still so fragmented that it may be impossible to ensure a quality experience for everyone.
There are other factors, too, of course. More theatrical styles of TV acting that were popular in the ’70s, ’80s, and ’90s have given way to a subtler, more realistic delivery that was previously the realm of art films. While those deliveries played well in movie theaters with robust sound systems, they don’t always work as well on $200 TVs. Streaming bitrates and related audio quality can also vary from household to household.
It’s a similar set of underlying problems to TV shows appearing too dark for some viewers. Many of us remember the final-season Game of Thrones episode that had viewers squinting in vain to see what was happening. Film techniques playing on small screens with limited contrast, peak brightness, and dynamic range were all at play there—though HBO Go and HBO Now’s then-subpar resolution and bitrate were a particularly big issue in that specific case.
Anyway, back to audio: Some streaming boxes or audio systems—like the Apple TV 4K or Sonos’ home theater offerings—offer built-in dialogue-boosting features, but not everyone uses those devices. Amazon’s new feature should, in theory, work on anything, even if it doesn’t already have support for dialogue boosting.
The company hasn’t announced when the feature will expand to more content. But we wouldn’t be surprised to see rapid expansion—not just from Amazon, but from other streamers offering similar features, too.
https://arstechnica.com/?p=1933438