Photography writer, educator and workshop leader Jim Austin Jimages has 7 core tips in a toolkit for SLOW PHOTOGRAPHY:
“Slow Photography is the experience of an intentional, attentive, mindful, timeless process of making photographs.” ~ Jimages
- Place. Ask yourself “What place do I enjoy going back to?” Where do I go, or imagine I’m going, where I’m most in my flow?” Choose places that have few distractions, and that breathe life and energy into your being. You may find you are letting your “me bubble” evaporate as you tune into the place you’ve chosen.
- Exercise. Think of each picture as a practice exercise. Explore all its angles. Wait to press the shutter until you know how a place feels with your eyes closed and the way it smells in the breeze. Hear the soundscape surrounding your photographic scene. Take your time. When we make images at a Godforsaken speed, taking frames at the speed of light, we lose our senses of place as the camera confiscates our attention.
- Savor. Be Deliberate with Your Attention. Awhile ago I used to say: “I was in a hurry, so I forgot (to compose, use the correct ISO, think). Yet no musician, when singing her country’s national anthem, says “I was in a hurry, so I left out two lines in the second verse.” To perform at a consistently higher level takes daily practice. The same is true for Slow Photography. When I build photographs with my entire attention, the camera fades into the background. Photo outings become more memorable, like fine meals, not rushed but savored, with their bold tastes, vivid colors, and pleasant companionship.
- Be in stillness. Photo tutorials tell us we should hunt and be always on the prowl for pictures. This may work well for certain ways of seeing. However, a Slow Photography approach invites us to be still, let go, and allow the image to come to us. There is no golden rule that says we must have fast gear. Slower cameras have made some of the most important nature images for decades. Today, with autofocus and capture rates being blazingly fast, it’s easy to be imprisoned by a marketing myth that we should fire away quickly. Speed, like sharpness, becomes an obsession. A poem by David Wagoner says, when you are lost, “Stand still, the forest knows where you are. You must let it find you.”
- Never Before Seen, the Vuja De Mentality. Make time to notice the fleeting sensation that you’ve never seen something before. Search out the Vuja De, the “never before seen.” This sensation happens when we do something we’ve done a hundred times before yet suddenly feel as we’re experiencing something completely new. The idea is credited to comedian George Carlin in a book by Stanford’s Bob Sutton called Weird Ideas that Work.
“The vuja de mentality is the ability to keep shifting opinion and perception. It means shifting our focus from objects or patterns in the foreground to those in the background.” Bob Sutton - Purpose. Our purpose frames our pictures. With Slow Photography, we practice three mental skills: patience, practice and purpose. Purpose defines our path. The clearer our intent for our work, the more we curate and edit out images that are outside the purpose.
- Remindfulness. Think of the last time you left a room to do something and could not remember it once you were in another room. This happens, in part, not because we don’t pay attention when we leave a room and go into another. It’s that we forgot the idea to which we were paying attention. Remindfulness is recalling a past event or experience, appropriately, into the present.
TAKING TIME: A REMINDFUL TOOLKIT FOR SLOW PHOTOGRAPHY
Time in photography is a paradox. To fully realize time, we have to let go of it. This means letting go of linear time. In Slow Photography, we circle back to places we’ve been before.
This “Return” is a key element of Slow Photography. We invest in a place by going back to it again with intentional seeing. We want to know the place and its moods with and without the camera. With keen emphasis on being fully in a place, we are more likely to remember each frame as an experience. Thus, making fewer photographs with greater intention, we are less likely to suffer from the photo taking impairment effect.
BONUS TIP: BREATHING LESSONS
According to Furort’s Law, we overestimate short durations of time, and underestimate long periods. Listening to a slow beat or pulse, we will subconsciously speed it up to a happy medium tempo of 94 to 96 beats per minute. When the fast tempo of the work day surrounds me, it can be touch to slow down. To reset a balanced pace sometimes takes ten gentle, slow breaths in and out before beginning a Slow Photography adventure.