Craig is clearly having a lot of fun doubling down on his southern caricature persona here, but Glass Onion is also notable for how great the rest of the cast is: Edward Norton as a douchebag tech bro with more money than sense; Janelle Monáe as his spurned former partner; Kathryn Hahn as a politician with questionable morals; Kate Hudson as an impossibly clueless fashion designer; and — perhaps the best of all — Dave Bautista as a man so insecure he swims with his pistol. If Glass Onion were just 90 minutes of this group having fun on an island, I’d be into it, but it’s also a very intriguing mystery. For more on Glass Onion, make sure to check out my full review.

Glass Onion: A Knives Out Mystery starts streaming on Netflix on December 23rd but will be in select theaters at some point before then.

Godland is based on true events but in a unique way. The filmmakers used a series of found photographs from the 1800s as an inspiration for this quiet, contemplative story about a Danish priest traveling across Iceland to set up a church in a remote village before winter. It’s full of sweeping shots of the incredible Icelandic landscape, from freezing waterfalls to rushing lava, along with disturbingly true-to-life scenes of decomposing and butchered animals. And the story touches on a number of big subjects, from our relationship with the land that sustains us to the uncomfortable divide between colonizers and those they’ve colonized.

What’s also quite striking about Godland, though, is the way it’s shot. Director Hlynur Pálmason really leans into the photographic inspiration, with square frames and close-up shots of the cast that often look like portraits. At times, it really feels like you’re looking through the lens of the priest’s camera. It’s unlike anything I’ve seen before.

It’s not clear yet when Godland will receive a wider release.

Amazon’s Good Night Oppy is a documentary following the unexpectedly long lifespans of the Mars rovers Spirit and Opportunity. For the most part, it has exactly what you’d expect from this kind of film. There are lots of great interviews with former engineers and scientists who worked on the project, coupled with archival footage to show what things were like in the moment.

What makes it unique, though, is the visual effects. Star Wars visual effects house ILM worked on the movie, creating incredibly detailed and realistic CG scenes that bring these rovers and the Martian landscape to life. There are planet-wide sandstorms that look like something out of Mad Max and lots of close-ups of the robots that make them look and move like Star Wars droids. It adds a new dimension to a familiar story.

Good Night Oppy starts streaming on Prime Video on November 23rd.

Hunt marks the directorial debut of Lee Jung-jae, a longtime Korean star who came to global prominence through Netflix’s Squid Game. It’s a spy thriller set in the 1980s following a failed attempt at assassinating the South Korean president. In the aftermath, two KCIA chiefs — one of whom is played by Lee himself — are racing to find the suspect amid rising tensions with North Korea.

Spy thrillers are always full of deception. That’s kind of the point. But Hunt takes things to an extreme degree, with a dizzying array of twists and turns that makes it nearly impossible to know who is on which side and who you can trust. (Hint: you probably can’t trust anyone.) It’s unrelenting, rarely giving you a second to breathe before it throws yet another new wrench into the proceedings. Things end on a somewhat strange note, but the ride is a lot of fun.

Hunt doesn’t yet have a theatrical release date.